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"When did he cross that line from a person to a textile shrine?"
--
From the song "Velvet Elvis" on the album The Grand Rapids Collection (2005)

 

Ralston Bowles

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A fragment comes and lingers from an old Christian hymn, "You've got to cross that lonesome valley." It carries him forward. "You've got to cross it by yourself." It seems a Western hymn that belongs out in Montana.
"No one else can cross it for you," it says. It seems to suggest something beyond. "You've got to cross it by yourself."
He crosses a lonesome valley, out of the mythos, and emerges as if from a dream, seeing that his whole consciousness, the mythos, has been a dream and no one's dream but his own, a dream he must now sustain of his own efforts. Then even "he" disappears and only the dream of himself remains with himself in it.

 

Robert M. Pirsig

 

Comedy is filled with surprise, so when I cross a line... I like to find out where the line might be and then cross it deliberately, and then make the audience happy about crossing the line with me.

 

George Carlin

 

His language had a special vocabulary — not just "the SF" [God] and "epsilon" [child] but also "bosses" (women), "slaves" (men), "captured" (married), "liberated" (divorced), "recaptured" (remarried), "noise" (music), "poison" (alcohol), "preaching" (giving a mathematics lecture), "Sam" (the United States), and "Joe" (the Soviet Union). When he said someone had "died," Erdős meant that the person had stopped doing mathematics. When he said someone had "left," the person had died.

 

Paul Erdos

 

Then there was the man who declared in court, he wasn't a person. "Excuse me, sir, why haven't you paid your taxes." "Well, as you can clearly see, I am not a person." "Well, you look like a person." "No it's all done with mirrors, trust me!"

 

Lewis Black

 

If you are talking to me about your new car, you are the first person, I am the second person, and the car is the third person.
These pronouns actually represent three perspectives that human beings can take when they talk about the world or attempt to know the world... The fascinating part is that these three perspectives might actually give rise to art, morals, and science. Or the Beautiful, the Good, and the True: the Beauty that is in the eye (or the "I") of the beholder; the Good or moral actions that can exist between you and me as a "we"; and the objective Truth about third-person objects (or "its") that you and I might discover: hence, art ("I"), morals ("we"), and science ("it").

 

Ken Wilber