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R. A. Salvatore

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I shudder at the concept of a world tamed.
--
The Demon Apostle (1999) [Random House Publishing Group, 1999, ISBN 0-345-39154-3], p. 210
--
Elbryan Wyndon

 
R. A. Salvatore

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Paulo Freire
 

Kings will shudder [that] day,
Woe awaits them!
When the recompenser shall appear,
Let the heaven appear below.
A ruddy wind will be brought
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I know a lot before a start an action. I know a lot about the necessity of the general idea of sculpture, but I don’t know anything about the process in which the action will run. When the actions runs, my preparation works, because I am prepared to do a thing without knowing where it goes. You see, it would be a very uninteresting thing – it would have nothing to do with art – if it were not a new experiment for which I have no clear concept. If I had a clear concept of solving the problem, I would then speak about the concept and it wouldn’t be necessary to make an action. Every action, every artwork for me, every physical scene, drawings on the blackboard, performance, brings a new element in the whole, an unknown area, an unknown world.

 
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If, in the middle of World War II, a general could be writing a poem, then maybe I was not so irrelevant after all. Maybe the general was doing more for victory by writing a poem than he would be by commanding an army. At least, he might be doing less harm. By applying the same logic to my own condition, I decided that I might be relevant in what I called a negative way. I have clung to this concept ever since — negative relevance. In moments of vain-glory I even entertain the possibility that if my concept were more widely accepted, the world might be a better place to live in. There are a lot of people who would make better citizens if they were content to be just negatively relevant.

 
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