Gustave Flaubert (1821 – 1880)
French novelist.
Nevertheless the flames did die down -- whether exhausted from lack of supplies or choked by excessive feeding. Little by little, love was quenched by absence; regret was smothered by routine; and the fiery glow that had reddened her pale sky grew gray and gradually vanished... But the storm kept raging, her passion burned itself to ashes, no help was forthcoming, no new sun rose to the horizon. Night closed in completely around her, and she was left alone in a horrible void of piercing cold.
Never had Madame Bovary been as beautiful as now. She had that indefinable beauty that comes from happiness, enthusiasm, success -- a beauty that is nothing more of less than a harmony of temperament and circumstances. Her desires, her sorrows, her experience of sensuality, her ever-green illusions, had developed her step by step, like a flower nourished by manure and by the rain, by the wind and the sun; and she was finally blooming in the fullness of her nature.
The wind blew very hard that day / And snatched her petticoat away!
It wasn't the first time in their lives that they had seen trees, blue sky and lawn, or heard the flowing of water or the rustle of the breeze in the branches, but never before, certainly, had they looked on it all with such wonder: it was as though nature had not existed before, or had only begun to be beautiful with the slaking of their desires.
As she listened to him, Madame Bovary marveled at how old she was: all those re-emerging details made her life seem vaster as though she had endless emotional experiences to look back on.
"Do you really not know," he said, "that there exist souls that are ceaselessly in torment? That are driven now to dreams, now to action, driven from the purest passions to the most orgiastic pleasures? No wonder we fling ourselves into all kinds of fantasies and follies!"
She cast her eyes about her, longing for the earth to open up. Why not end it all? What was holding her back? She was free to act. And she moved forward. "Do it! Do it!" she ordered herself, peering down at the pavement.
He even did his best to stop loving her; then at the sound of her footsteps he would feel his will desert him, like a drunkard at the sight of strong liquor.
And they talked about the mediocrity of provincial life, so suffocating, so fatal to all noble dreams.
Though she had no one to write to, she had bought herself a blotter, a writing case, a pen and envelopes; she would dust off her whatnot, look at herself in the mirror, take up a book, and then begin to daydream and let it fall to her lap. . . . She wanted to die. And she wanted to live in Paris.
The whole dream of democracy is to raise the proletarian to the level of bourgeois stupidity.
Noble characters and pure affections and happy scenes are very comforting things. They're a refuge from life's disillusionments.
She was the amoureuse of all the novels, the heroine of all the plays, the vague "she" of all the poetry books.
It seemed to her that certain portions of the earth must produce happiness -- as thought it were a plant native only to those soils and doomed to languish elsewhere. Why couldn't she be leaning over the balcony of some Swiss chalet? Or nursing her melancholy in a cottage in Scotland, with a husband clad in a long black velvet coat and wearing soft leather shoes, a high-crowned hat and fancy cuffs?
Before her marriage she had thought that she had love within her grasp but since the happiness which she had expected this love to bring her hadn't come, she supposed she must have been mistaken. And Emma tried to imagine just what was meant, in life, by the words "bliss," "passion," and "rapture" -- words that had seemed so beautiful to her in books.
At last she was going to know the joys of love, the fever of the happiness she had despaired of. She was entering a marvelous realm where all would be passion, ecstasy, rapture: she was in the midst of an endless blue expanse, scaling the glittering heights of passion; everyday life had receded, and lay far below, in the shadows between those peaks.
He wasn't lying. If he had had it he would probably have given it to her, unpleasant though it usually is to make such generous gifts: of all the icy blasts that blow on love, a request for money is the most chilling and havoc-wreaking.
Everything immediately surrounding her -- boring countryside, inane petty bourgeois, the mediocrity of daily life -- seemed to her the exception rather than the rule. She had been caught in it all by some accident: out beyond, there stretched as far as the eye could see the immense territory of rapture and passions. In her longing she made no difference between the pleasures of luxury and the joys of the heart, between elegant living and sensitive feeling. Didn't love, like Indian plants, require rich soils, special temperatures?
His rage had sent him into Latin: he would have spouted Chinese or Greenlandic had he been able to, for he was in the throes of one of those crises in which the soul lays bare its every last corners, just as the ocean, in the travail of a storm, splits open to display everything from the seaweed on its shores to the sand of its deepest bottom.
There isn't a bourgeois alive who in the ferment of his youth, if only for a day or for a minute, hasn't thought himself capable of boundless passions and noble exploits. The sorriest little woman-chaser has dreamed of Oriental queens; in a corner of every notary's heart lie the moldy remains of a poet.