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Preston and Steve

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Steve: Top that, Heather Mills!

 
Preston and Steve

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Murali is really struggling out there, he looked like Heather Mills McCartney making her way to bed from her en suite bathroom fielding down at fine-leg.

 
Ben Dirs
 

In the early days, I was writing scripts for virtually all the books, and it was very hard to keep all the artists busy; poor little frail me, doing story after story. So I'd be writing a story for Kirby, and Steve Ditko would walk in and say, 'Hey, I need some work now.' And I'd say, 'I can't give it to you now, Steve, I'm finishing Kirby's.' But we couldn't afford to keep Steve waiting, because time is money, so I'd have to say, 'Look Steve, I can't write a script for you now, but here's the plot for the next Spider-Man. Go home and draw anything you want, as long as it's something like this, and I'll put the copy in later.' So I was able to finish Jack's story. Steve in the meantime was drawing another story.....Okay, it started out as a lazy's man's device...but we realized this was absolutely the best way to do a comic.....Don't have the writer say, 'Panel one will be a long shot of Spider-Man walking down the street.' The artist may see it differently; maybe he feels it should be a shot of Spider-Man swinging on his web, or climbing upside-down on the ceiling or something.

 
Stan Lee
 

Steve was one of seven or eight second-year students in Columbia University's graduate program in paleontology. I was a senior at the college, eager to hang out—and glad to be included in the mix. We had a ball, eating Southern food at an extravaganza of a church cookout and collecting some of the most gorgeous fossils on Earth. But Steve, at least in my eyes, totally stole the show: of the thousands of specimens of the snail Turritella plebeia lying around, he found the only aberrant specimen—one that was to figure in one of his earliest papers. The guy had eyes. My usual rap on Steve is that I have never met a smarter person who works as hard as he does. That's as true now as it was back in the late 1960s, when my wife and I went up to Cambridge to visit the Goulds and the fabulous collection of trilobites that Steve's predecessor, Harry Whittington, had left in Steve's Harvard office. Dinner over, the evening getting late, we went to bed, but as I was dropping off, I heard the sound of Steve's by-now-famous manual typewriter as he wrote a review (I think it was of a new publication of the letters of Charles Lyell). Man, that guy could put the time in.

 
Stephen Jay Gould
 

Philip Marlow: You're the girl in all those songs. De-dum.
Nurse Mills: What songs?
Philip Marlow: The songs, the songs, the bloody, bloody songs.
Nurse Mills: I wish I knew what you were talking about.
Philip Marlow: The songs you hear coming up the stair.
Nurse Mills: Sorry?
Philip Marlow: When you're a child, when you're supposed to be asleep. Those songs.

 
Dennis Potter
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