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By the unification of architecture, sculpture and painting a new plastic reality will be created.
--
Abstract Art, Anna Moszynska, Thames and Hudson, London 1990, p. 117

 

Piet Mondrian

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Architecture, sculpture, painting, music, and poetry, may truly be called the efflorescence of civilised life.

 

Herbert Spencer

 

Now Art, used collectively for painting, sculpture, architecture and music, is the mediatress between, and reconciler of, nature and man. It is, therefore, the power of humanizing nature, of infusing the thoughts and passions of man into everything which is the object of his contemplation.

 

Samuel Taylor Coleridge

 

Since one cannot create "real depth" by carving a hole in the picture, and since one should not attempt to create the illusion of depth by tonal gradation, depth as a plastic reality must be two dimensions in a formal sense as well in the sense of color. "Depth" is not created on a flat surface as an illusion, but as a plastic reality. The nature of the picture plane makes it possible to achieve depth without destroying the two-dimensional essence of the picture plane. ... A plane is a fragment in the architecture of space. When a number of planes are opposed one to another, a spatial effect results. A plane functions in the same manner as the walls of a building. ... Planes organized within a picture create the pictorial space of its composition. ... The old masters were plane-consciousness. This makes their pictures restful as well as vital...

 

Hans Hofmann

 

Of all the media of expression employed by man (and let us never forget that they are many) none are so unstable, none so quick to change their meaning, as words. Even sculpture, architecture, painting, in their noblest works, speak differently under different conditions; but these arts are relatively immortal compared with speech.

 

L. P. Jacks

 

You can’t make a sculpture, in my opinion, without involving your body. You move and you feel and you breathe and you touch. The spectator is the same. His body is involved too. If it’s a sculpture he has to first of all sense gravity. He’s got two feet. Then he must walk and move and use his eyes and this is a great involvement. Then if a form goes in like that – what are those holes for? One is physically involved and this is sculpture. It’s not architecture. It’s rhythm and dance and everything. It’s do with swimming and movement and air and sea and all our well-being… …Sculpture is involved in the body living in the spirit or the spirit living in the body, whichever way you like to put it.

 

Barbara Hepworth