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Peter Greenaway

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The range of human skin colours is quite narrow when you think about it -- and I do -- and subtle -- beige, pink, white, tan, taup...
--
Philip

 
Peter Greenaway

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Taup? What sort of colour is "taup"? It sounds like a Malaysian ground sloth encountered once every fifty years by one of the Attenboroughs wearing long socks.

 
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They should all join the Brothers of the Beige- "The Beige Sisters of Premenstrual Agony."

 
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To be white, red, yellow, or black is to be a painter. To-day it is not sufficient for the painter to think of colour; he should be colour, feed on colour and transform himself into painting. That is the essential thing. To feel like colour means to carry within oneself the entire range of colours, not as a treasure, but as a trust.

 
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I could compare my music to white light which contains all colours. Only a prism can divide the colours and make them appear; this prism could be the spirit of the listener.

 
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The King's colours were white and black, which he always wore in honour of the Duchess of Valentinois, who was a widow. The Duke of Ferrara and his retinue had yellow and red. Monsieur de Guise's carnation and white. It was not known at first for what reason he wore those colours, but it was soon remembered that they were the colours of a beautiful young lady whom he had been in love with, while she was a maid, and whom he yet loved though he durst not show it. The Duke de Nemours had yellow and black; why he had them could not be found out: Madam de Cleves only knew the reason of it; she remembered to have said before him she loved yellow, and that she was sorry her complexion did not suit that colour. As for the Duke, he thought he might take that colour without any indiscretion, since not being worn by Madam de Cleves it could not be suspected to be hers.

 
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