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Peter F. Hamilton

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Joshua was the most dynamic lover she had ever known. Gentle and domineering; it was a lethal combination. If only he wasn't quite so ruthlessly mechanical about it. A little too much of his pleasure had come from seeing her lose all control. But then that was Joshua; unwilling to share… Joshua didn't trust people.
--
musings of Ione, Lord of Ruin and autocrat of Tranquility habitat

 
Peter F. Hamilton

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Poor Joshua! Victim of repeated attacks by an irresponsible, bullying, cowardly, and intemperate father, and abandoned by respondents who placed him in a dangerous predicament and who knew or learned what was going on, and yet did essentially nothing except, as the Court revealingly observes, ante, at 193, "dutifully recorded these incidents in [their] files." It is a sad commentary upon American life, and constitutional principles - so full of late of patriotic fervor and proud proclamations about "liberty and justice for all" - that this child, Joshua DeShaney, now is assigned to live out the remainder of his life profoundly retarded. Joshua and his mother, as petitioners here, deserve - but now are denied by this Court - the opportunity to have the facts of their case considered in the light of the constitutional protection that 42 U.S.C. 1983 is meant to provide."

 
Harry Blackmun
 

His hypothesis goes to this — to make the common run of his readers fancy they can do all that can be done by genius, and to make the man of genius believe he can only do what is to be done by mechanical rules and systematic industry. This is not a very feasible scheme; nor is Sir Joshua sufficiently clear and explicit in his reasoning in support of it.

 
William Hazlitt
 

Had Israel not sinned, they would have been given only the five books of Moses and the book of Joshua.

 
Yehuda Ashlag
 

Who through deserts and wanderings guided the emigrant nations. Yea, I could even believe I were speaking with Joshua or Moses.

 
Moses
 

We find the following words:— "Whether it is the human figure, and animal, or even inanimate objects, there is nothing, however unpromising in appearance, but may be raised into dignity, convey sentiment, and produce emotion, in the hands of a painter of genius. What was said of Virgil, that he threw even the dung about the ground with an air of dignity, may be applied to Titian; whatever he touched, however naturally mean, and habitually familiar, by a kind of magic he invested with grandeur and importance."—No, not by magic, but by seeking and finding in individual nature, and combined with details of every kind, that grace and grandeur and unity of effect which Sir Joshua supposes to be a mere creation of the artist's brain! Titian's practice was, I conceive, to give general appearances with individual forms and circumstances. Sir Joshua's theory goes too often, and in its prevailing bias, to separate the two things as inconsistent with each other, and thereby to destroy or bring into question that union oi striking effect with accuracy of resemblance, in which the essence of sound art (as far as relates to imitation) consists.

 
Titian
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