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Tonight I'll sing my songs again,
I'll play the game and pretend.
But all my words come back to me in shades of mediocrity
Like emptiness in harmony I need someone to comfort me.

 

Paul Simon

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Fa-Fa-Fa-Fa-Fa-Fa-Fa-Fa-Fa Fa-Fa-Fa-Fa-Fa-Fa-Fa-Fa
I keep singing them sad sad songs, y'all.
Sad songs is all I know.
I keep singing them sad sad songs, y'all.
Sad songs is all I know.
It has a sweet melody tonight
Anybody can sing it any old time.
What's in your heart puts you in a groove
And when you sing this song,
It'll make you're whole body move.

 

Otis Redding

 

No more songs tonight,
I'm drivin' to the break of day.
No more words tonight,
We've got enough to throw away.

 

Tom Petty

 

Let us assume that we invited an unknown person to a game of cards. If this person answered us, “I don’t play,” we would either interpret this to mean that he did not understand the game, or that he had an aversion to it which arose from economic, ethical, or other reasons. Let us imagine, however, that an honorable man, who was known to possess every possible skill in the game, and who was well versed in its rules and its forbidden tricks, but who could like a game and participate in it only when it was an innocent pastime, were invited into a company of clever swindlers, who were known as good players and to whom he was equal on both scores, to join them in a game. If he said, “I do not play,” we would have to join him in looking the people with whom he was talking straight in the face, and would be able to supplement his words as follows: “I don’t play, that is, with people such as you, who break the rules of the game, and rob it of its pleasure. If you offer to play a game, our mutual agreement, then, is that we recognize the capriciousness of chance as our master; and you call the science of your nimble fingers chance, and I must accept it as such, it I will, or run the risk of insulting you or choose the shame of imitating you.” … The opinion of Socrates can be summarized in these blunt words, when he said to the Sophists, the leaned men of his time, “I know nothing.” Therefore these words were a thorn in their eyes and a scourge on their backs.

 

Johann Georg Hamann

 

And I don't pretend to know what you know
no no
now please don't pretend to know what's on my mind
if we already knew everything that everybody knows
we would have nothing to learn tonight
and we would have nothing to show tonight
oh but everybody thinks
that everybody knows
about everybody else
nobody knows
anything about themselves
cause they're all worried about everybody else.

 

Jack (musician) Johnson

 

I hate a song that makes you think that you are not any good. I hate a song that makes you think that you are just born to lose. Bound to lose. No good to nobody. No good for nothing. Because you are too old or too young or too fat or too slim too ugly or too this or too that. Songs that run you down or poke fun at you on account of your bad luck or hard traveling. ... I am out to fight those songs to my very last breath of air and my last drop of blood.
I am out to sing songs that will prove to you that this is your world and that if it has hit you pretty hard and knocked you for a dozen loops, no matter what color, what size you are, how you are built, I am out to sing the songs that make you take pride in yourself and in your work.
And the songs that I sing are made up for the most part by all sorts of folks just about like you. I could hire out to the other side, the big money side, and get several dollars every week just to quit singing my own kind of songs and to sing the kind that knock you down still farther and the ones that poke fun at you even more and the ones that make you think you've not any sense at all. But I decided a long time ago that I'd starve to death before I'd sing any such songs as that. The radio waves and your movies and your jukeboxes and your songbooks are already loaded down and running over with such no good songs as that anyhow.

 

Woody Guthrie