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My mirror probes down to the heart. I write words on the forehead and around the corners of the mouth. My human faces are truer than the real ones.
--
Diary entry (Munich, 1901), # 136, The Diaries of Paul Klee, 1898-1918 [University of California Press, 1968, ISBN 0-520-00653-4] (p. 48)

 

Paul Klee

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The question we writers are asked most often, the favorite question, is: Why do you write? I write because I have an innate need to write. I write because I can’t do normal work as other people do. I write because I want to read books like the ones I write. I write because I am angry at everyone. I write because I love sitting in a room all day writing. I write because I can partake of real life only by changing it. I write because I want others, the whole world, to know what sort of life we lived, and continue to live, in Istanbul, in Turkey. I write because I love the smell of paper, pen, and ink. I write because I believe in literature, in the art of the novel, more than I believe in anything else. I write because it is a habit, a passion. I write because I am afraid of being forgotten. I write because I like the glory and interest that writing brings. I write to be alone. Perhaps I write because I hope to understand why I am so very, very angry at everyone. I write because I like to be read. I write because once I have begun a novel, an essay, a page I want to finish it. I write because everyone expects me to write. I write because I have a childish belief in the immortality of libraries, and in the way my books sit on the shelf. I write because it is exciting to turn all life’s beauties and riches into words. I write not to tell a story but to compose a story. I write because I wish to escape from the foreboding that there is a place I must go but—as in a dream—can’t quite get to. I write because I have never managed to be happy. I write to be happy.

 

Orhan Pamuk

 

I'm waiting. ... For something new and strange,
Something I've dreamt about in some deep sleep,
Truer than any waking,
Heard about, long ago, so long ago,
In sunshine and the summer grass of childhood,
When the sky seems so near.
I do not know its shape, its will, its purpose
And yet all day its will has been upon me,
More real than any voice I ever heard,
More real than yours or mine or our dead child's,
More real than all the voices there upstairs,
Brawling above their cups, more real than light.
And there is light in it and fire and peace,
Newness of heart and strangeness like a sword,
And all my body trembles under it,
And yet I do not know.

 

Stephen Vincent Benet

 

Rachel was looking into the mirror at an angle of 45°, and so had a view of the face turned toward the room and the face on the other side, reflected in the mirror; here were time and reverse-time, co-existing, cancelling one another exactly out. Were there many such reference points, scattered throughout the world, perhaps only at nodes like this room which housed a transient population of the imperfect, the dissatisfied; did real time plus virtual or mirror-time equal zero and thus serve some half-understood moral purpose? Or was it only the mirror world that counted; only a promise of a kind that the inward bow of a nose-bridge or a promontory of extra cartilage at the chin meant a reversal of ill fortune such that the world of the altered would thenceforth run on mirror-time; work and love by mirror-light and be only, till death stopped the heart's ticking (metronome's music) quietly as light ceases to vibrate, an imp's dance under the century's own chandeliers....

 

Thomas Pynchon

 

More: You want me to swear to the Act of Succession?
Margaret: "God more regards the thoughts of the heart than the words of the mouth." Or so you've always told me.
More: Yes.
Margaret: Then say the words of the oath and in your heart think otherwise.
More: What is an oath then but words we say to God?

 

Robert Bolt

 

If any ambitious man have a fancy to revolutionize at one effort the universal world of human thought, human opinion, and human sentiment, the opportunity is his own — the road to immortal renown lies straight, open, and unencumbered before him. All that he has to do is to write and publish a very little book. Its title should be simple — a few plain words — "My Heart Laid Bare." But — this little book must be true to its title.

 

Edgar Allan Poe