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Paul Keating

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In the end it's the big picture which changes nations and whatever our opponents may say, Australia's changed inexorably for good, for the better.
--
Concession Speech, March 2, 1996.

 
Paul Keating

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Unless legal and illegal immigration is halted and reversed, European First World nations across all of Europe from Spain to Russia, North America, Australia and New Zealand — will be destroyed and have their very culture and civilisation changed to that of the Third World. Immigration is now the single most important issue facing all First World nations, and will determine whether Western Civilisation continues to exist or not.

 
Arthur Kemp
 

An example: if I compose a picture using as objects a scrap of bark, a scrap of butterfly wing and a purely imaginary form, you probably won’t recognise the bark, or the butterfly wing, and you’ll say: ‘What does this stand for? It is an abstract picture. No it’s a representational picture’.. ..There is no such thing as ‘abstract’, or ‘concrete’ either. There is a good picture and a bad picture. There is the picture that moves you and the picture that leaves you cold.. ..A picture has a value in itself, like a musical score, like a poem.

 
Fernand Leger
 

I have seen changes in all nations and men, and thus after many changes of judgement regarding true justice, I have recognized that our nature was but in continual change, and I have not changed since; and if I changed, I would confirm my opinion. The sceptic Arcesilaus, who became a dogmatist. 375

 
Blaise Pascal
 

I think he's a very good technician. And he has something in Psycho, he had some moments. Psycho is one of his most interesting pictures because he had to make the picture very fast, with very primitive means. He had little money, and this picture tells very much about him. Not very good things. He is completely infantile, and I would like to know more — no, I don't want to know — about his behaviour with, or, rather, against women. But this picture is very interesting.

 
Ingmar Bergman
 

Technical criticism in particular is the despair of the artist. No one but an idiot would offer a poet his comments in terms of spondees and trochees; why must the painter daily suffer the indignity? Any picture which makes one conscious first of its technical qualities, good or bad, is not a good picture, whatever else it may be.

 
Patrick Swift
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