Nothing bothered Erdős more than political strictures which did not allow for complete freedom of expression and the ability to travel freely. ... Always traveling with a single shabby suitcase which doubled as a briefcase, he had little need or interest in the material world.
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Peter Schumer in "The Magician of Budapest" in The Edge of the Universe : Celebrating Ten Years of Math Horizons (2007) by Deanna Haunsperger and Stephen Kennedy, p. 110
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Erekat: Palestinians will not accept Israel as a Jewish state. Jihad Watch (November 13, 2007).Paul Erdos
Probably the greatest mathematician of the twentieth century, Paul Erdős ... was so eccentric that he made Einstein look normal. He was 11 before he ever tied his shoes, 21 before he ever buttered toast, and died without ever boiling an egg.
Erdős lived on the road, traveling from conference to conference, owning nothing but math notebooks and a suitcase or two. His life consisted of math, nothing else.Paul Erdos
In the late 1980s Erdős heard of a promising high school student named Glen Whitney who wanted to study mathematics at Harvard but was a little short the tuition. Erdős arranged to see him and, convinced of the young man's talent, lent him $1,000. He asked Whitney to pay him back only when it would not cause financial strain. A decade later Graham heard from Whitney, who at last had the money to repay Erdős. "Did Erdős expect me to pay interest?" Whitney wondered. "What should I do?" he asked Graham. Graham talked to Erdős. "Tell him," Erdős said, "to do with the $1,000 what I did."
Paul Erdos
"Living in a system under the Communist ideology, an artist cannot avoid fighting for freedom of expression. You always have to be aware that art is not only a self-expression but a demonstration of human rights and dignity. To express yourself freely, a right as personal as it is, has always been difficult, given the political situation."
Ai Weiwei
The elemental simplicities of wilderness travel were thrills not only because of their novelty, but because they represented complete freedom to make mistakes. ... Perhaps every youth needs an occasional wilderness trip, in order to learn the meaning of this particular freedom.
Aldo Leopold
I am often asked why I nearly always select old material, fairy tales and legends for my stage works. I do not look upon them as old, but rather as valid material. The time element disappears, and only the spiritual power remains. My entire interest is in the expression of spiritual realities. I write for the theater in order to convey a spiritual attitude.
Carl Orff
Erdos, Paul
Erhard, Werner
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