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Behold the E4 Udderbelly! An Edinburgh Festival venue that's a ruddy inflatable cow!

 

Patrick Allen

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Thus one of Europe's most serious crises will be ended, and all of us, not only in Germany but those far beyond our frontiers, will then in this year for the first time really rejoice at the Christmas festival. It should for us all be a true Festival of Peace.

 

Adolf Hitler

 

Behold the pre-prophetic symbols of the planes of Never.
Behold, behold this thisness!
This isness.

 

Sun Ra

 

The business always goes for what you do best and I've just made myself do best in the way I've wanted to. So, if [my movies] get recognition, like, at the Venice film festival, the Toronto film festival, wherever it is, you know? In France, in Holland: When critics start speaking up and they believe in something then you have the power to get blow-jobs basically, from the corporate leaders. I mean, I've found myself being blown by America's film corporations. It's nice. I cum in their f**king lens.

 

River Phoenix

 

Hypothesis Of Molecular Vortices. In thermodynamics as well as in other branches of molecular physics, the laws of phenomena have to a certain extent been anticipated, and their investigation facilitated, by the aid of hypotheses as to occult molecular structures and motions with which such phenomena are assumed to be connected. The hypothesis which has answered that purpose in the case of thermodynamics, is called that of "molecular vortices," or otherwise, the "centrifugal theory of elasticity. (On this subject, see the Edinburgh Philosophical Journal, 1849; Edinburgh Transactions, vol. xx.; and Philosophical Magazine, passim, especially for December, 1851, and November and December, 1855.)

 

William John Macquorn Rankine

 

Going to see Godzilla at the Palais of the Cannes Film Festival is like attending a satanic ritual in St. Peter's Basilica. It's a rebuke to the faith that the building represents. Cannes touchingly adheres to a belief that film can be intelligent, moving and grand. Godzilla is a big, ugly, ungainly device to give teenagers the impression they are seeing a movie. It was the festival's closing film, coming at the end like the horses in a parade, perhaps for the same reason.

 

Roger Ebert