As long as war is regarded as wicked, it will always have its fascination. When it is looked upon as vulgar, it will cease to be popular.
Oscar Wilde
Why is it thought so very wicked to be an unbeliever? Rather, why is it assumed that no one can have difficulties unless he be wicked? Because an anathema upon unbelief has been appended as a guardian of the creed. It is one way, and doubtless a very politic way, of maintaining the creed, this of anathema. When everything may be lost unless one holds a particular belief, and nothing except vulgar love of truth can induce one into questioning it, common prudence points out the safe course; but really it is but a vulgar evidence, this of anathema.
Genuine belief ended with persecution. As soon as it was felt that to punish a man for maintaining an independent opinion was shocking and unjust, so soon a doubt had entered whether the faith established was unquestionably true.James Anthony Froude
Of the two classes of people, I hardly know which is to be regarded with most distaste, the vulgar aping the genteel, or the genteel constantly sneering at and endeavouring to distinguish themselves from the vulgar. ... True worth does not exult in the faults and deficiencies of others; as true refinement turns away from grossness and deformity, instead of being tempted to indulge in an unmanly triumph over it. ... Real power, real excellence, does not seek for a foil in inferiority; nor fear contamination from coming in contact with that which is coarse and homely.
William Hazlitt
Heaven, n. A place where the wicked cease from troubling you with talk of their personal affairs, and the good listen with attention while you expound your own.
Ambrose Bierce
War is not popular. It may seem popular in the short run, when there appears to be an immediate victory and everyone is gloating but war is not popular.War is not popular. People get killed, and body bags end up coming back. War is very unpopular, and it is not the politically smart thing to do.
Ron Paul
Bad boys have long fascinated audiences as well as storytellers, whatever the medium. Such rebels, often without causes beyond self-gratification, have been at the center of much of contemporary popular culture. One of the paradigms for such dramatized morality tales is Mozart's magnificent "Don Giovanni," whose musical and theatrical turns evoked awe and laughter and terror from the more that 1,500 music fans who on Saturday night flocked to Lawrence's Lied Center for the Mozart Festival Opera production. The libertine is thoroughly disreputable. Nonetheless, we look on in fascination because of his devilish smile, dashing good looks, ready wit, and the audacity of his hyper-inflated ego. If you can imagine a young Jack Nicholson with mustache, cape and a flair for sword play, you've got it. Lithuanian baritone Vytautas Juozapaitis gave the Don appropriate swagger and voice. He also brought a comic twist that gave the roué a touch of the trickster. Stepping out of character for a second in the midst of a briskly paced recitative, he paused, turned, and looked up at the supertitled English translation as if to check his lines. It was a joke shared by all. The pleasure of performing, even in the opera's most dramatic moments, was evident.
Vytautas Juozapaitis
Wilde, Oscar
Wildeblood, Peter
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