The cosmos which he now created was that which contains the readers and the writer of this book. In its making he used, but with more cunning art, many of the principles which had already served him in earlier creations; and he wove them together to form a more subtle and more capricious unity than ever before.
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Ch. XV The Maker and His Works, 3. Mature CreatingOlaf Stapledon
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Only through apprehending, by means of present-day creations, how art is created, can the creations of other periods be genuinely appreciated.
Harold Rosenberg
The Fourth Gospel is admitted by all Greek scholars to be, in parts, extraordinarily obscure. No honest writer of history is obscure, as a rule, except through carelessness or ignorance — ignorance, it may be, of the art of writing, or of the subject he is writing about, or of the persons he is addressing, or of the words he is using, but, in any case, ignorance of something. But an honest writer of poetry or prophecy may be consciously obscure because a message, so to speak, has come into his mind in a certain form, and he feels this likely to prove the best form — ultimately, when his readers have thought about it.
Edwin Abbot
The preface is usually that part of a book which can most safely be omitted. It usually represents that efflorescent manifestation of egotism which an author, after working hard, cannot spare either himself or his readers. More often than not the readers spare themselves. When, however, the writer is a daily perpetrator of high treason, his introductory remarks may command from the English public that kind of awful veneration with which ?5000 confessions are perused in the Sunday newspapers, quite frequently after the narrator has taken his last leap in the dark.
William Joyce
I think What Dreams May Come is the most important (read effective) book I’ve written. It has caused a number of readers to lose their fear of death — the finest tribute any writer could receive. ... Somewhere In Time is my favorite novel.
Richard Matheson
The works of 'abstract' art are subtle creations of order out of simple contrasting elements.
Jan Tschichold
Stapledon, Olaf
Stapp, John
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