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The Grand Inquisitor explains that you have to create mysteries because otherwise the common people will be able to understand things. They have to be subordinated so you have to make things look mysterious and complicated. That's the test of the intellectual. It's also good for them: then you're an important person, talking big words which nobody can understand. Sometimes it gets kind of comical, say in post-modern discourse. Especially around Paris, it has become a comic strip, I mean it's all gibberish. But it's very inflated, a lot of television cameras, a lot of posturing. They try to decode it and see what is the actual meaning behind it, things that you could explain to an eight-year old child. There's nothing there. But these are the ways in which contemporary intellectuals, including those on the Left, create great careers for themselves, power for themselves, marginalize people, intimidate people and so on.
--
In Chomsky on Anarchism, 2005

 

Noam Chomsky

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M.I.A.

 

I'm more likely to come in after the newspapers and television cameras have long disappeared from the scene post-disaster. The people I gravitate to are neither rich nor popular. They do not have the power to boost or end careers at the flick of a pen; nor do they own fancy things or drive fancy cars. These people live in slums and muddle trough piles of waste and trash on their way home to a little shack, which they share with a throng of other family members. Outside the cacophony of worldwide charitable organizations, their struggles are rarely suitable topic for common everyday talk.

 

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I am afraid that there is a certain class of race-problem solvers who don't want the patient to get well, because as long as the disease holds out they have not only an easy means of making a living, but also an easy medium through which to make themselves prominent before the public.
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