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Being in a band is really great when you're 20. When you're 30, it's kind of 'Spinal Tap,' and when you're 40, it's just pathetic.
--
Mark Mothersbaugh New York Times (2001), Make a Myth, Whip It Good

 

musical group Devo

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"Look at a band like the Bravery. They're signed because we're a band," Flowers said. "I've heard rumors about [members of] that band being in a different kind of band, and how do you defend that? If you say, 'My heart really belongs to what I'm doing now,' but you used to be in a ska band. I can see the Strokes play or Franz Ferdinand play and it's real, and I haven't gotten that from the Bravery. I think people will see through them."

 

Brandon Flowers

 

We never became a mainstream band. It's kind of like we've bridged two worlds, or fallen between two stools, between alternative and mainstream. To a lot of mainstream programmers, The Cure is still a bit too weird. To an alternative programmer, sometimes we're a bit too mainstream. Sometimes we've benefited from that and sometimes we've kind of suffered. I actually enjoy that kind of position because I think it reflects what the band does (CMJ, December 1999)

 

Robert Smith

 

Angus? I think he's kinda crazy. Since the first night I saw the band way back in Australia, I knew their manager, and I'd never seen the band before and never even heard of AC/DC. And the manager just said stand here, the band comes on in two minutes. So I stood there and this band comes on and there's this little guy, about that big, with a school uniform and a bag on his back going crazy and I laughed, and I must have laughed for half an hour. And I still laugh, and I think he's great.

 

Bon Scott

 

Nick Cave's making a lot of money, which is braindeath. I mean, going on tour with the same band for 20 years and playing the same songs–I don't care how you twist them, or torture the songs, you know? If it takes to be a posturing grandpa Wayne Newton-sounding bad Vegas-balladeer to get rich, I don't give a shit. I think this is lame. You know, he was one of the great poets and rocked like no other, but he's pathetic. How do these goth kids buy this crap? That's his genius; he's convinced goth kids to listen to their grandfathers' music.

 

Nick Cave

 

One of the great tests of a band, of course, was its manner of playing "God Save the King." ... The English did it with effortless superiority, as though to say "We have frequently played this air in the presence of the King-Emperor and have reason to believe that he was perfectly satisfied." The American band gave an impression that every man was treacherously muttering the words of "My Country 'Tis of Thee" into his instrument; which was, of course, intolerable. I have probably misjudged this band, for like most children I was a patriotic bigot.

 

Robertson Davies