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We know that under the image revealed there is another which is truer to reality and under this image still another and yet again still another under this last one, right down to the true image of that reality, absolute, mysterious, which no one will ever see or perhaps right down to the decomposition of any image, of any reality.
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As quoted by the interviewer from the introduction to an Italian publlication of Antonioni's screenplays.

 

Michelangelo Antonioni

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"Language is not an image of reality", assures Mr. Rorty, a pragmatist and anti-Platonic philosopher. Should we interpret this sentence in the sense Mr. Rorty calls 'Platonic', that is, as a denial of an attribute to one substance? It would be contradictory: a language that is not an image of reality cannot give us a real image of its relations with reality. Therefore, the sentence must be interpreted pragmatically: it does not affirm anything about language, but only indicates the intention to use it in a certain way. The main thesis of Mr. Rorty's thought is a declaration of intentions. The sentence "language is not an image of reality" rigorously means this and nothing else: "I, Richard Rorty, am firmly decided to not use language as an image of reality." It is the sort of unanswerable argument: an expression of someone's will cannot be logically refuted. Therefore, there is nothing to debate: keeping the limits of decency and law, Mr. Rorty can use language as he may wish. The problem appears when he begins to try to make us use language exactly like him. He states that language is not a representation of reality, but rather a set of tools invented by man in order to accomplish his desires. But this is a false alternative. A man may well desire to use this tool to represent reality. It seems that Plato desired precisely this. But Mr. Rorty denies that men have other desires than seeking pleasure and avoiding pain. That some declare to desire something else must be very painful to him, for, on the contrary, there would be no pragmatically valid explanation for the effort he puts in changing the conversation. Given the impossibility to deny that these people exist, the pragmatist will perhaps say that those who look for representing reality are moved by the desire to avoid pain as much as those who prefer to create fantasies; but this objection will have shown precisely that these are not things which exclude each other. The Rortyan alternative is false in its own terms.

 

Richard Rorty

 

"To say that a thing is imaginary is not to dispose of it in the realm of mind, for the imagination, or the image making faculty, is a very important part of our mental functioning. An image formed by the imagination is a reality from the point of view of psychology; it is quite true that it has no physical existence, but are we going to limit reality to that which is material? We shall be far out of our reckoning if we do, for mental images are potent things, and although they do not actually exist on the physical plane, they influence it far more than most people suspect." --Dion Fortune, Spiritualism and Occultism

 

Dion Fortune

 

It is perhaps not a surprise that photography developed as a technological medium in the industrial age, when reality started to disappear. It is even perhaps the disappearance of reality that triggered this technical form. Reality found a way to mutate into an image.

 

Jean Baudrillard

 

Our ability to destroy ourselves is the mirror image of our ability to save ourselves, and what is lacking is the clear vision of what should be done... What needs to be done is that fundamental, ontological conceptions of reality need to be redone. We need a new language, and to have a new language we must have a new reality... A new reality will generate a new language, a new language will fix a new reality, and make it part of this reality.

 

Terence McKenna

 

The human being, on the other hand, is firmly located in a temporal process. He has an image of the past which extends back far beyond the limits of his own life and experience, and he likewise has an image of the future. Closely associated with the time structure of his image is the image of the structure of relationships. Because we are aware of time, we are also aware of cause and effect, of contiguity and succession, of cycles and repetition. The image of man is also characterized by a much greater degree of self-consciousness and of self-awareness than that of the lower animals. We not only know, but we know that we know. This reflective character of the human image is unique, and is what leads to philosophy.

 

Kenneth Boulding