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Marsden Hartley

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It is never difficult to see images – when the principle of the image is embedded in the soul.
--
Hartley to Kuntz, April 4, 1932, as quoted in Marsden Hartley, by Gail R. Scott, Abbeville Publishers, Cross River Press, 1988, New York p. 124

 
Marsden Hartley

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The poetic image is not a static thing. It lives in time, as does the poem. Unless it is the first image of the poem, it has already been prepared for by other images; and it prepares us for further images and rhythms to come. Even if it is the first image of the poem, the establishment of the rhythm prepares us — musically — for the music of the image. And if its first word begins the poem, it has the role of putting into motion all the course of images and music of the entire work, with nothing to refer to, except perhaps a title.

 
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The air is filled with endless images of the objects distributed in it; and all are represented in all, and all in one, and all in each, whence it happens that if two mirrors are placed in such a manner as to face each other exactly, the first will be reflected in the second and the second in the first. The first being reflected in the second takes to it the image of itself with all the images represented in it, among which is the image of the second mirror, and so, image within image, they go on to infinity in such a manner as that each mirror has within it a mirror, each smaller than the last and one inside the other. Thus, by this example, it is clearly proved that every object sends its image to every spot whence the object itself can be seen; and the converse: That the same object may receive in itself all the images of the objects that are in front of it.

 
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The images of Saddam Hussein endlessly repeated on our screens before the war (Saddam firing a rifle into the air) made him into some kind of Iraqi Charlton Heston — the president not only of Iraq, but also of the Iraqi Rifle Association. The true interest of these images, however, is that they remind us how the ideological struggle is fought out not only at the level of arguments but also at the level of images: which image will hegemonize a field, and function as the paradigmatic embodiment of an idea, a regime, a problem.

 
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This image of herself as a not ordinary women, an image which was trembling now in his eyes, might suddenly disappear. Nothing more difficult to live up to than men’s dreams.

 
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How difficult, how extremely difficult for the soul to sever itself from its body the world: from mountains, seas, cities, people. The soul is an octopus and these are its tentacles. ... No force anywhere on earth is as imperialistic as the human soul. It occupies and is occupied in turn, but it always considers its empire too narrow. Suffocating, it desires to conquer the world in order to breathe freely.

 
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