"The greatest work of the composer is often sublimation, that is, the deflection of energies, thoughts, occurrences, psychological and physical reactions, into socially constructive or creative channels."
--
Hisama, Ellie M. (2001). Gendering Musical Modernism: The Music of Ruth Crawford, Marion Bauer, and Miriam Gideon, p.122. Cambridge University Press. ISBN 052164030X.Marion Bauer
He believed that, in order to produce art that signifies at the exalted level he envisaged, the painter must develop the "eyes of the soul and spirit as well as the body." Moreau associated this inner vision with the predominant role of the imagination; following current ideas, he apparently connected this faculty with "psychological penetration" and the unconscious.... Moreau wrote that his "greatest effort" was devoted to directing his imaginative energies, to channeling "this outpouring of oneself."
Gustave Moreau
I think that to all living things there is a pleasure in the exercise of their energies, and that even beasts rejoice in being lithe and swift and strong. But a man at work, making something which he feels will exist because he is working at it and wills it, is exercising the energies of his mind and soul as well as of his body. Memory and imagination help him as he works. Not only his own thoughts, but the thoughts of the men of past ages guide his hands; and, as a part of the human race, he creates. If we work thus we shall be men, and our days will be happy and eventful.
William Morris
"It was as if he had heard what I wanted," she said. But a skilled magician can do that, and it would be wrong to see Sai Baba as a conjurer. He has channeled the hopes and energies of his followers into constructive directions, both spiritual and philanthropic.
Shashi Tharoor
"...We met in 1950, through John Cage, when I was sixteen and he in his early twenties. We were all doing work that was clearly different, newly different - from one another, but joined by our delight in each other's work (and by John Cage's organizing the concerts of it and a few musicians, David Tudor centrally, playing it), and by its difference from any other we knew. I still find mysterious his way of putting the music together, or rather of erasing any traces of a sense of its having been put together: it's just there. How does he do it? He's the only composer I know whose work seems made in a way that cannot be accounted for, explained, by any other means than the impossible one of becoming that composer oneself. He talked wonderfully, sharply, outrageously, but that wasn't quite his music. One thinks of the disparity of his large, strong presence and the delicate, hypersoft music, but in fact he too was, among other things, full of tenderness and the music is, among other things, as tough as nails." - Christian Wolff, Composer and Pianist
Morton Feldman
St. Thomas Aquinas ...in the Summa, which remains the greatest work of medieval thought, accepts the idea that certain animals, spring from the decaying bodies of plants and animals, and declares that they are produced by the creative word of God either actually or virtually. He develops this view by saying, "Nothing was made by God, after the six days of creation, absolutely new, but it was in some sense included in the work of the six days"; and that "even new species, if any appear, have existed before in certain native properties, just as animals are produced from putrefaction."
Thomas Aquinas
Bauer, Marion
Bauer, Yehuda
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