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Margaret Cho

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I get nervous when people say to me, "I just can't tell any of you Asians apart!" Um, why do you have to tell us apart? Are we gonna be separated for some reason? I can't tell us apart! I was not born with a chip in my neck that would automatically identify every Asiatic person that I would come across. "beebeebeebeebeep Filipino."

 
Margaret Cho

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I know we live in troubled times, my friends, I know things which once stood up suddenly don't stand up anymore. I know that innocent people shopping or buying gas are often shot down, shot down for no reason. And it makes a nation nervous. Now, personally, I like the nation to be nervous. And in these nervous times, sometimes people come up to me, and they say, "Perhaps, Jack, you should tone down your rhetoric a bit. Perhaps, the stuff you say in between songs might be construed as, well, not very patriotic. Well, actually, Jack, you might get yourself in some big trouble." And I say to myself, "Oh! Trouble is my business, friend." In these uncertain times, it's not a good idea to give up on your values, and change your mind about the things you hold dear. It's not. I want to talk about someone who fell pretty damn hard, and this song is called "I Shot President Reagan, and I'm Gonna Do It Again and Again and Again and Again!"

 
Jack Terricloth
 

This old fellow came up to me and asked, "Excuse me, are you Japanese?" No, I'm Korean. "Oh, really, that's very interesting, because I was looking at you and I knew you were not Filipino. I have many Filipino friends and you do not look like them because you're very HUSKY!!" Is that supposed to be some kind of a compliment? "Oh, no, it's not bad, you're very strong, very HUSKY!"

 
Margaret Cho
 

We all possess, in our unconscious minds, a kind of servant who performs certain automatic functions. When I learn to type or drive a car or learn a foreign language, I have to do it painfully and consciously; then, suddenly, my robot takes over and does it automatically; in fact, he does it far more quickly and efficiently than "I" could. The main trouble with this mechanical valet is that he often takes over functions I would prefer to keep for myself -- for example, when I am tired I eat "automatically," and so do not enjoy my food. In fact, this is the reason that so much of our experience seems oddly "unreal"; the robot has taken it over. When I am feeling low, I may live for whole days in a "robotic" state, so that experience flows off me like water off a duck's back. And because I am not receiving any "feedback" of pleasure or interest from my activities, I become duller than ever, and experience becomes progressively less interesting. (This is, of course, the mechanism of depression and nervous breakdown.) And this is also why explorers deliberately seek out hardship and danger -- to cheat the robot and "feel the life in them more intensely."

 
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His language had a special vocabulary — not just "the SF" [God] and "epsilon" [child] but also "bosses" (women), "slaves" (men), "captured" (married), "liberated" (divorced), "recaptured" (remarried), "noise" (music), "poison" (alcohol), "preaching" (giving a mathematics lecture), "Sam" (the United States), and "Joe" (the Soviet Union). When he said someone had "died," Erdős meant that the person had stopped doing mathematics. When he said someone had "left," the person had died.

 
Paul Erdos
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