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Leonardo da Vinci

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The bones of the Dead will be seen to govern the fortunes of him who moves them.
--
Of Dice

 
Leonardo da Vinci

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I could not believe what I was seeing: everywhere there were whale bones. Thousands of them stacked on top of each other. They rose from the seabed almost to the surface of the water. There were big bones. I could make out many of them: rib bones, jaw bones, vertebrae. In some places they were piled so high that, when I took a stroke, my hands touched them. I thought of all the beautiful whales I’d seen around the coast of South Africa and Norway that add so much to the area. How many whales were hunted and brought to this island before having their carcasses burned for oil and their bones dumped in this way? It disgusted me to such an extent that I considered stopping the swim to move it elsewhere, but I decided I had to press on.

 
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The dead govern the living.

 
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During a debate with Farrell Till, Hovind made the following claim about Donald Johanson: "[He] found the leg bones of Lucy a mile and a half away from the head bones. The leg bones were 200 feet deeper in a deeper layer of strata. I would like to know how fast the train was going that hit that chimpanzee."

 
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In ancient rome there was a poem / About a dog that had two bones / He picked at one he licked the other / He went in circles till he dropped dead.

 
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What can be more curious than that the hand of a man, formed for grasping, that of a mole for digging, the leg of the horse, the paddle of the porpoise, and the wing of the bat, should all be constructed on the same pattern, and should include the same bones, in the same relative positions? ... Hence the same names can be given to the homologous bones in widely different animals. We see the same great law in the construction of the mouths of insects: what can be more different than the immensely long spiral proboscis of a sphinx-moth, the curious folded one of a bee or bug, and the great jaws of a beetle?—yet all these organs, serving for such different purposes, are formed by infinitely numerous modifications of an upper lip, mandibles, and two pairs of maxill?. Analogous laws govern the construction of the mouths and limbs of crustaceans. So it is with the flowers of plants. Nothing can be more hopeless than to attempt to explain this similarity of pattern in members of the same class, by utility or by the doctrine of final causes.

 
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