"What I would do when all my friends were hanging out and getting wasted - I would have my nose in a manual reading stuff that would probably bore the average human to death, for me that was so exciting just learning about a piece of gear and how to make it work."
Klayton
I performed at a show at the MoMA. There was this big dinner there, and I was seated in this hall with the mayor of New York and all these extremely wealthy art-supporting and art-buying people. There was a piece of work hanging in the hall-it was a fan. This fan was supposed to swing by the momentum of its own propeller. So, while we were having dinner, the fan was stopped, and the guy next to me, a curator at P.S.1, said, "Look, this is what art symbolizes today." Like, that piece of art is supposed to be moving, but just to have dinner we've stopped the art. That's what New York is like today. You can't have real art happen in an institution because rich people can make the world stop. The stuff on the street is a lot more interesting.
M.I.A.
Socrates said that manual laborers make bad friends and bad citizens because they have no time to fulfill the responsibilities of friendship and citizenship. He was right. Because of work, no matter what we do we keep looking at our watches. The only thing "free" about so-called free time is that it doesn't cost the boss anything. Free time is mostly devoted to getting ready for work, going to work, returning from work, and recovering from work. Free time is a euphemism for the peculiar way labor as a factor of production not only transports itself at its own expense to and from the workplace but assumes primary responsibility for its own maintenance and repair. Coal and steel don't do that. Lathes and typewriters don't do that. But workers do.
Bob Black
When you read a really good piece of prose you think, "You bastard. How can you write like that?" I know bloody well that the bloke has suffered to get it like that. Same thing when you go to a specialist. "Oh, he was marvellous. But do you know, he charged me 150 quid for twenty minutes." Well, you’re not paying ?150 for twenty minutes, you’re paying for forty years of learning how to do the twenty minutes. I think it’s exactly the same with writing. When you pay for a paperback, you’re paying for years of learning how to do it. When I work, I work incredibly hard.
Bruce Robinson
I'm a lousy piece of ass, and I should know every man I have been with has told me so, I've been there almost every time. I mean, the closest thing I got to a birds and bees talk was with my dad. He was like, "Son, sex is a lot like this egg." "Dad, I think those are drugs." "Whatever, queer." "Why does everyone keep saying that?" "Listen up, son, listen good. You take a woman and crack her over the head and lie her flat. Make sure she sizzles and then flip her over. Don't stand too close or you'll get yellow stuff all over your bacon" What? I see some of you holding your stomach and feeling: "No, you shouldn't." That's a breakfast joke. That's the most important joke of the day. If you don't laugh at that, you're gonna be sleepy around 11:30. And you'll be like, "Why am I so tired?"
Daniel Tosh
Reading, like all work, has its rules. A perfect knowledge of a few writers and a few subjects is more valuable than a superficial one of a great many. The fine points of a piece of writing are seldom apparent at first reading. In youth, one should search among books as one searches the world for friends, and once these friends are found, chosen, and adopted, one must go into retirement with them. Intimacy with Montaigne, Saint Simon, Retz, Balzac, or Proust would be enough to enrich one's whole life.
Andre Maurois
Klayton
Klee, Paul
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