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"I spent much of my childhood alone, and found my friends in books, detailing fictional stories I could relate to and characters I wish I could be. I don’t have as much time to read anymore and it is the one thing I lament. A great book can inspire and educate, and these things ultimately flow back into my art."

 

Klayton

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When I started writing my first novel, ...And Call Me Conrad, they always say: "Write about what you know" and I said "Well, if I get a nice sort of combination SF and Fantasy with these resonances from Greek Mythology it might be pretty good. It would also give me a chance to start filling in my background on all those things I don't know much about but should if I want to be an SF writer."
So I sat down and made a list of everything I felt I should know more about. Astrophysics, oceanography, marine biology, genetics... Then when I'd finished the list I read one book in each of these areas. When I'd finished I went back and read a second book until I'd read ten books in each area. I thought that it wouldn't turn me into a terrific, fantastic expert but I'd at least have enough material there to know if I was saying something wrong. And I'd also know where to turn to get the information I want to make it right.
While I was doing this, to keep the words and cheques flowing I wrote books involving mythology. And once I started picking up things involving astrophysics I'd write stories that played with those sorts of things. So that's why I started out with mythology.

 

Roger Zelazny

 

He read them a book every day. When we were in Virginia during the Invincible [sessions], there was not one day missed reading the children something. So that showed me right there that he was an incredible father. … He was like, 'I would never have them go through the same things ever (the similar childhood/upbringing) in their lives,' Riley said. "He was like, 'I think the best scolding for children was a time-out.' The best scolding for children was, 'Let's read a book.'"

 

Michael Jackson

 

People often repeat the fallacy that "film is a passive medium". The statement is usually elaborated like this: "When I read a story in a book, I have to use my imagination to conjure up what the characters look like, the sound of their voices, the appearance of their surroundings, the house, the landscape. When I see a movie, those things are all nailed down for me, so I don't feel as involved." What the person is describing are the most obvious aspects of a given story, that is, its physical properties. They are, in fact, the least interesting and least important components of a story. I do not read books in order to imagine the physical appearance of things.

 

Peter Chung

 

I found Robert A. Heinlein in back issues of Astounding, and also in The Saturday Evening Post, and I read everything of his I could find. I was completely hooked on his "juveniles": Space Cadet. Red Planet. Starman Jones. Between Planets. Farmer in the Sky. Wonderful stories, and the only thing "juvenile" about them was that he took the trouble to explain what was happening. Robert once told me that young people want to know how things work, and you can tell them more in a "juvenile" than you can in an adult novel. In any event I devoured everything of his I could find, through high school, the army, college, and I couldn’t have cared less that many were "juveniles". They were wonderful.
I met Robert Heinlein years later, and through some kind of rare magic we became instant friends. We corresponded for a decade. In those days I was an engineering psychologist, operations research specialist, and systems engineer in aerospace. Most of my work was military aerospace, but I did get to work on Mercury, Gemini, and Apollo. We were helping to make the dream come true!
I went from there to a professorship, and then into political management and city government. Robert visited me when I was working for Mayor Sam Yorty. "You probably don’t know this," he said, "but my political career ended when Yorty beat me for the Democratic nomination to the State Assembly."
When I finally decided to get out of politics, academia, and the aerospace industry and try my hand at writing, Mr. Heinlein was enormously helpful. Years later, when I was an established writer, I asked him how I could pay him back.
"You can’t," he said. "You don’t pay back, you pay forward." I never forgot that, just as I never forgot the wonderful things his ‘juvenile’ stories did for me.

 

Robert A. Heinlein