"Touring for me historically, from Circle of Dust, which was one of my first projects, to date, I have not really had any great experiences... If I had one of these cushy situations where I had a label fronting all this money and I was getting wined and dined every night, maybe I would love touring. I have no idea. But that's not the case. As far as performance, I do what i have to do. If I'm going to tour and I'm going to get up on stage, I'm not going to do it half-a**ed."
Klayton
Not only that, but I can't sleep anywhere, but the f***in' bus! I need to buy a bus and park it in front of my house, so that when I go home, at night when I go to bed, I just go to the bed. Or I need to install a half of a bus in my room, with bunks, so I can sleep in it. Not only is touring overglamorised, but the smell is completely under-rated. We got in a tour bus after a certain band had used it and we actually had to take the top of the bus off with a metal-melting machine and air it out, because it smelt like rotting flesh, BO and fromage! I'm not going to name the band" after mike said they live on a tour bus, becouse of the amount of time they spent touring.
Chester Bennington
"I’d absolutely rather be in the studio, no question about it. Touring is not my gig. Performing is OK, and when you’re in the performance it’s great. It’s just the whole traveling thing."
Klayton
"...the label I was signed to at the time went into bankruptcy and there were all kinds of legal battles between the label and all of the artists, including me. That basically tied me up for a year and a half where I couldn’t release a new album or anything, and I couldn’t really continue forward as Circle of Dust. It was around then that Criss Angel had approached me to work with him on some music. At that point I decided I was going to end Circle of Dust, work with Criss and we had our own project together, Angeldust, for the next six years. From there Celldweller was the most obvious next step for me because I had changed musically over time and I wanted something completely fresh."
Klayton
I tour the South, though, I do. I love touring the South. Some people up North are afraid of the South, it's weird. I'll do a show in, like, Alabama. I'll tell someone I did a show in Alabama and they'll be like, "Oh my God! What was that like?" Oh, you know, chairs, a microphone. Oh, I'm sorry, I know what you're looking for. I'll tell you what it was like. Well, I flew into Birmingham. The Imperial Wizard from the Klan picked me up at the airport. Rode to the club on the back of an old mule. Tried to get a joke out over the shouts of "jewboy go home." At the end of the night I go "Where's my check?" They go, "You're not gettin' a check. You're gettin' this bag of porkrinds." Is that the answer you were looking for, you narrow-minded fake-liberal f**k?
Todd Barry
Mike Shinoda: "On our first Fort Minor tour, Styles of Beyond were touring with me. [Bucky Done Gun] by M.I.A. was practically the theme song that tour. I think our crew was sick of hearing it! At any rate, I think that's what one of my favorite things about music is: those times when hearing a song reminds you of a time in your past, when it connects you directly with the memory every time you hear it. Good song."
M.I.A.
Klayton
Klee, Paul
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