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"I have met many A&R people and there are some that are truly cool people. But these same people have told me that if only I would imitate certain bands on the radio, 'just one song is all we need', they would give me the deal of my dreams. Ummm, let me clean an area on my a** for you so you can kindly kiss it."

 

Klayton

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I was wondering the other day, why it is we turn pop figures into idols? I have a theory, of course. I think we have this need to be cool, that there is this undercurrent in society that says some people are cool and some people aren't. And it is very, very important that we are cool. So. when we find somebody who is cool on television or on the radio, we associate ourselves with this person to feel valid ourselves. And the problem I have with this is that we rarely know what the person believes whom we are associationg ourselves with. The problem with this is that it indicates there is less value in what people believe, what they stand for; it only matters that they are cool. In other words, who cares what I believe about life, I only care that I am cool. Because in the end, the undercurrent running through culture is not giving people value based upon what they believe and what they are doing to aid society, the undercurrent is deciding their value based upon whether of not they are cool.

 

Don Miller

 

His most original contribution, the source of his inspiration, what he wrote about and where he wrote from, was the time that he spent listening to mad people. Before Ronnie, few psychiatrists, if any, spoke with such a good ear for madness. There were others including Freud, Jung, Fromm-Reichman and Rosen, who attempted in some way to decode mad-speak, but Ronnie "hung out" with mad people. He was first of all a guy who, with people who were seen as mad, entered into a kind of a friendship; he created space that hadn't before opened up, between himself and the "mad." Also he was very plastic and mimetic, so he could imitate and get into other people's moods, thoughts, language, and world, including those of so-called "mad" people. And he was able to bring back and speak of what it was like to be "mad" (more or less). This gave "mad" people an enormous sense of relief. Someone heard them. They were not alone. Madness was not unreason, a total unintelligibility, a total difference between the sane and the insane. Ronnie showed that we're all in it together. There was not an unbridgeable gulf between sanity and madness: rather there is a continuum. Mad people felt that "this guy really understands what I'm going through." This proved extremely helpful for people who thought they were going mad, or who were told they were mad.

 

Ronald David Laing

 

"I was always a Jay fan, but seeing him on stage, so cool, so laid back. He was just doing him. To see somebody do him and people respong to it (imitate him). That's power thre, it just clicked to me."

 

Ray Cash

 

I meet a lot of people, dude, and I've never been star-struck, but I met Scott and I was like, "Hi Scott - my name is durrrh" He was like, "Are you alright, dude?" and I was like, "Yeah - I mean, my name's Chester and I think you're great, I just wanted to tell you" I felt like a total schmuck! He was like, "Well, are you in a band or what?" and I was like, "Yeah, I'm in a band called Linkin Park" and he was like, "You just played today, right?" and I went, "Yeah" and he went, "I've heard real cool things about you - good luck!" and I was like, "Nargggh" And I mean, when I met him, I was in the middle of talking to the bass player from Green Day and these bands are like of the same calibre, but talking to the bass player from Green Day, I was totally comfortable - "Yeah, dude, what's up, man? It's cool to meet you!" - and here comes Scott and I'm like, "Urrrgh!" I don't know why - maybe I'm gay!

 

Chester Bennington