"The best experience (while working with Grant Mohrman)? Watching movies and eating junkfood when we were too burnt to work anymore. That and finding someone who I can work with, understands me musically and otherwise and someone I know I will work with for a long time to come... I don't generally work with anyone, but Grant has brought valuable things to the project and I felt it was time to let someone in, so to speak."
Klayton
"I decided to approach (the album Wish Upon A Blackstar) completely differently than any other work I’d done previously. Grant Mohrman (co-producer) and I brainstormed the process of how to make this monstrosity of an album, and we decided to try doing a few things differently – I would write demos AND we would track my vocals before doing anything else. Now this was completely ass-backwards to the way I am used to doing things. I generally start a musical idea and I keep revising and reworking it until it becomes something I like. The entire Celldweller debut album was written this way. I ALWAYS tracked vocals last. Partly because I wanted the music to inspire my vocal performance and partly because I haaaate cutting vocals. The idea this time around was the music would have to work with my voice instead of forcing my voice over the top of 180 tracks of audio. This made me uncomfortable which is why I agreed to do it."
Klayton
Showing poverty is such a large part of my work because another thing that I am finding is that for me personally, doing this work helps me in trying to come to grips with my own upbringing and all that occurred during that time. Basically, this work to me is a sort of time for reflection, a pseudo inventory of "this is your life," a way to try to accept the concept of what was so inevitable.
Manuel Rivera-Ortiz
I like to climb. I don't love to work out. Actually, I hate to work out. You know, I tell myself, "AnnaSophia, you have to work out. You haven't gotten any exercise in the longest time." You know, I don't have time, really, to work out or play a sport. But I love to dance. I like to run in the springtime or in the fall. I like to go outside. I don't like running on a treadmill. I get tired... I just get sick of it. But if I'm outside, I could just run for ages. Or walk, if I need a break.
AnnaSophia Robb
Socrates said that manual laborers make bad friends and bad citizens because they have no time to fulfill the responsibilities of friendship and citizenship. He was right. Because of work, no matter what we do we keep looking at our watches. The only thing "free" about so-called free time is that it doesn't cost the boss anything. Free time is mostly devoted to getting ready for work, going to work, returning from work, and recovering from work. Free time is a euphemism for the peculiar way labor as a factor of production not only transports itself at its own expense to and from the workplace but assumes primary responsibility for its own maintenance and repair. Coal and steel don't do that. Lathes and typewriters don't do that. But workers do.
Bob Black
"...the label I was signed to at the time went into bankruptcy and there were all kinds of legal battles between the label and all of the artists, including me. That basically tied me up for a year and a half where I couldn’t release a new album or anything, and I couldn’t really continue forward as Circle of Dust. It was around then that Criss Angel had approached me to work with him on some music. At that point I decided I was going to end Circle of Dust, work with Criss and we had our own project together, Angeldust, for the next six years. From there Celldweller was the most obvious next step for me because I had changed musically over time and I wanted something completely fresh."
Klayton
Klayton
Klee, Paul
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