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Kingman Brewster

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I’m very curious to know what the hell they’re saying on the phone, but I’d be more worried if they weren’t talking.
--
On direct telephone communications between heads of state, as quoted in The Observer [London] (10 June 1979)

 
Kingman Brewster

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They are always talking about the fire of hell, but no one has ever seen it, my friends. For hell is cold. It used to be that the nights weren't long enough to wear out your malice, and you got up each morning with your breasts still full of poison. But now the devil himself has withdrawn from you. Ah, how alone we are in evil, my brothers! The poor human race dreams from century to century of breaking that solitude — but it's no use! The devil, who can do so many things, will never succeed in founding a Church, a Church that will put in common both the merits of hell and the sin of all. From now until the end of the world, the sinner will have to sin alone, always alone — for just as we die alone, so also do we sin alone. The devil, you see, is the friend who never stays with us to the end.

 
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We wanted to figure out a way to get crank phone calls on television. Watching someone on TV talking on a phone isn't that entertaining, and obviously we couldn't send a camera crew around to the people getting the calls, so it was limited to either animation or puppets. And puppets seemed halfway between cartoons and people, so that seemed like the most real way that we could do it.

 
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The Squares [his former band] never really fit in. We weren't rock enough. We weren't alternative enough. We weren't new wave enough and we weren't punk enough. Maybe we just weren't the right people for the band.

 
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I was in my room listening on headphones on a tape recorder. It's very intimate. It's like talking to somebody on the phone, like talking to John Lennon on the phone. I'm not exaggerating to say that. This music changed the shape of the room. It changed the shape of the world outside the room; the way you looked out the window and what you were looking at.
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Yoko came up to me when I was in my twenties, and she put her hand on me and she said, "You are John's son." What an amazing compliment!

 
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You caught mum chasing dad with a knife
You ran away to escape from the fights
Now you're lost in a maze of neon light
And she's worried, he's worried, she's worried, oh...

 
Colin Moulding
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