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Although I do often find inspiration while looking through a camera lens, most of my paintings come as an afterthought back in my studio, while re-living the emotion and excitement of the trip itself.
--
From Artist's Website

 

Joseph Pisani

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It was on tiny wheels with a mount for the camera that put the lens about two feet above the ground. On it rode the camera operator and the assistant who changed the focus and that's all. Fred always wanted to keep the camera in as tight as possible, and they used to shoot with a 40 millimetre lens, which doesn't give you too much leeway. So every time Fred and Ginger moved toward us, the camera had to go back, and every time they went back, the camera went in. The head grip who was in charge of pushing this thing was a joy to watch. He would maintain a consistent distance, and when they were in the midst of a hectic dance that's quite a stunt.

 

Fred Astaire

 

I don't feel like I want to get in front of a camera any more. I like getting, you know, just being a slob behind a camera and watching other people look good. You know, I might not hurry back. I might go and go somewhere no-one can find me. You know where that is? You know where the place is no-one can find you? I was thinking of pitching my tent right next to the weapons of mass destruction. Then no-one would find me.

 

Mel Gibson

 

[to camera] Excuse me for just a second. [walks off-camera, to studio audience] Shut up!

 

Craig Ferguson

 

Everybody's a little more worldly now, and there's more exposure to things. When I made Fun House, back in 1970, nobody wanted to interview me. It was wonderful. I was like one of those little white things you find living under rocks, that every once in a while people pull up by mistake and go, "aagh!" But now everybody has a video camera, and that may have changed the nature of "the message from below," as it were.

 

Iggy Pop

 

Even pacifist agitation or the nation-wide fever of big sports competitions acts as a spur to war fever in circumstances like ours. Any kind of excitement or emotion contributes to the possibility of dangerous explosions when the feelings of huge populations are kept inflamed even in peacetime for the sake of the advancement of commerce. Headlines mean street sales. It takes emotion to move merchandise. And wars and rumors of wars are the merchandise and also the emotion of the popular press.

 

Marshall McLuhan