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Joseph Pisani

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My favourite painting is often the one or the collection that I am currently working on. This is probably due to the fact that I don’t yet know where it will take me.
--
As quoted in "The Conceptual Artist" Inside Switzerland magazine Individuals (Summer 2006), p. 23

 
Joseph Pisani

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Your favourite virtue ... Simplicity
Your favourite virtue in man ... Strength
Your favourite virtue in woman ... Weakness
Your chief characteristic ... Singleness of purpose
Your idea of happiness ... To fight
Your idea of misery ... Submission
The vice you excuse most ... Gullibility
The vice you detest most ... Servility
Your aversion ... Martin Tupper
Favourite occupation ... Book-worming
Favourite poet ... Shakespeare, Aeschylus, Goethe
Favourite prose-writer ... Diderot
Favourite hero ... Spartacus, Kepler
Favourite heroine ... Gretchen [Heroine of Goethe's Faust]
Favourite flower ... Daphne
Favourite colour ... Red
Favourite name ... Laura, Jenny
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Favourite maxim ... Nihil humani a me alienum puto [Nothing human is alien to me]
Favourite motto ... De omnibus dubitandum [Everything must be doubted].

 
Karl Marx
 

Watching the painter painting
And all the time, the light is changing
And he keeps painting
That bit there, it was an accident
But he's so pleased
It's the best mistake, he could make
And it's my favourite piece.
It's just great.

 
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I don’t like that word 'finish'. When something is finished, that means it’s dead, doesn’t it? I believe in everlastingness. I never finish a painting – I just stop working on it for a while. I like painting because it’s something I never come to the end of. Sometimes I paint a picture, then I paint it all out. Sometimes I’m working on fifteen or twenty pictures at the same time. I do that because I want to – because I like to change my mind so often. The thing to do is always to keep starting to paint, never finishing painting.(1947)

 
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Some painters, including myself, do not care what chair they are sitting on. It does not even has to be a comfortable one. They are too nervous to find out were they ought to sit. They do not want to ‘sit in style’. Rather they have found that painting – any kind of painting, any style of painting – to be painting at all, in fact – a style of living, so to speak. That is where the form of it lies. It is exactly in its uselessness that it is free. Those artists don’t want to conform. They only want to be inspired.

 
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Not every painter has a gift for painting, in fact, many painters are disappointed when they meet with difficulties in art. Painting done under pressure by artists without the necessary talent can only give rise to formlessness, as painting is a profession that requires peace of mind. The painter must always seek the essence of things, always represent the essential characteristics and emotions of the person he is painting...

 
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