For me, a page of good prose is where one hears the rain [and] the noise of battle. [It] has the power to give grief or universality that lends it a youthful beauty.
--
Accepting National Medal for Literature (April 27, 1982)John Cheever
The good is the everlasting, the pinnacle of our life. ... life is striving towards the good, toward God. The good is the most basic idea ... an idea not definable by reason ... yet is the postulate from which all else follows. But the beautiful ... is just that which is pleasing. The idea of beauty is not an alignment to the good, but is its opposite, because for most part, the good aids in our victory over our predilections, while beauty is the motive of our predilections. The more we succumb to beauty, the further we are displaced from the good. ...the usual response is that there exists a moral and spiritual beauty ... we mean simply the good. Spiritual beauty or the good, generally not only does not coincide with the typical meaning of beauty, it is its opposite.
Leo Tolstoy
Freedom exalts power; and, as is always the collateral effect of increasing strength, tends to induce a spirit of liberality. Coercion stifles power, and engenders all selfish desires, and all the mean artifices of weakness. Coercion may prevent many transgressions; but it robs even actions which are legal of a portion of their beauty. Freedom may lead to many transgressions, but it lends even to vices a less ignoble form.
Wilhelm von Humboldt
A banker is a fellow who lends you his umbrella when the sun is shining, but wants it back the minute it begins to rain.
Samuel Langhorne (Mark Twain) Clemens
A banker is a fellow who lends you his umbrella when the sun is shining, but wants it back the minute it begins to rain.
Mark Twain
Gertrude Stein, in her work, has always been possessed by the intellectual passion for exactitude in the description of the inner and outer reality. She has reproduced simplification by this concentration, and as a result the destruction of associational emotion in poetry and prose. She knows that beauty, music, decoration, the result of emotion should never be the cause, even events should never be the cause of emotion nor should they be the material of poetry or prose. Nor should emotion itself be the cause of poetry and prose. They should consist of an exact reproduction of either an outer or inner reality.
Gertrude Stein
Cheever, John
Cheke, John
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z