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Jane Monheit

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Jane Monheit is skyrocketing up the jazz charts. By next year, we won't be able to get her.
-- (7/27/2005) comment from Allison Stockel, artistic director of the Ridgefield (Connecticut) Playhouse.

Jane Monheit

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Good jazz is when the leader jumps on the piano, waves his arms, and yells. Fine jazz is when a tenorman lifts his foot in the air. Great jazz is when he heaves a piercing note for 32 bars and collapses on his hands and knees. A pure genius of jazz is manifested when he and the rest of the orchestra run around the room while the rhythm section grimaces and dances around their instruments.

Charles Mingus

To me his (Edgar Allan Poe's) prose is unreadable — like Jane Austin's [sic]. No there is a difference. I could read his prose on salary, but not Jane's. Jane is entirely impossible. It seems a great pity that they allowed her to die a natural death.

Jane Austen

"If I’m a young black man in South Central L.A., where poverty is rampant and unemployment is skyrocketing, I see that Washington’s promises of a year ago have gone unfulfilled, I see that perhaps for a second time, the court’s inability to mete out justice in a blind fashion, why shouldn’t I vent my anger?"

Bryant Gumbel

I didn't plan on rock 'n' roll. I wanted to learn jazz; I got to know some people doing rock 'n' roll with jazz, and I thought I could make money playing music. In rock 'n' roll you can realize anything that you can in jazz or anything. There's no limitation other than the beat. You have more freedom than you do in anything except jazz — which is dying — as far as making any money is concerned.

Robby Krieger

Jane took me to another level because she's truly a wonderful writer. I'd put things together in the past and struggled with them. And then I met Jane. ... I was doing my Edith Ann album in '71 — the album came out in '72. She'd done a thing on television called J.T. — it was about a kid in Harlem — and she won a Peabody for it. I later learned it was the first thing she'd ever written.
It was written as an After School Special, but they played it in prime time — and they played it every year after that for about 25 years, or something. Anyway, I saw it and it was wonderful. It was poetic and sensitive and satiric and tender and funny and so many things compressed into this one hour. And I thought, "Oh, God, this is exactly what I want in a monologue." So I wrote Jane and asked her to help me do the Edith Ann album. I didn't hear from her for a while. Then, suddenly, about a week before I was supposed to go in and record, she sent me a lot of material. I persuaded her to come to California and help me produce it. Frankly, I was pretty taken with her as soon as I saw her. We just sort of clicked. We became a couple right away.

Lily Tomlin
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