Some people didn't like the novel, it is in some ways extremely bleak. But if you are dealing with the kind of subjects I am — trying to demystify the delusions we have about ourselves, to get a more accurate fix on human nature — then people are unsettled. And the easiest way to deal with that is to say it's weird or it's cold.
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On his novel Crash, as quoted in "The benign catastrophist" by Susie Mackenzie in The Guardian (6 September 2003)J. G. Ballard
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A Society of Citizens, as well as every Thing else, requires a certain fixed Order: There ought to be some to govern, and others to obey. And this is the Origin of every Kind of Subjection; which feels itself more or less alleviated, in Proportion to the Situation of the Subjects.And, consequently, as the Law of Nature commands Us to take as much Care, as lies in Our Power, of the Prosperity of all the People; we are obliged to alleviate the Situation of the Subjects, as much as sound Reason will permit. And therefore, to shun all Occasions of reducing People to a State of Slavery, except the utmost Necessity should inevitably oblige us to do it; in that Case, it ought not to be done for our own Benefit; but for the Interest of the State: Yet even that Case is extremely uncommon. Of whatever Kind Subjection may be, the civil Laws ought to guard, on the one Hand, against the Abuse of Slavery, and, on the other, against the Dangers which may arise from it.
Catherine II of Russia
There isn’t anything weird about my music. Weird is a skeleton in the closet, wearing a rubber mask with warts all over its nose, and all that kind of shit. That’s not what I do. The thing that makes my music unusual is that people only hear one kind of music all the time over the radio. It’s wallpaper to their lives. Audile wallpaper. There’s one acceptable beat and there are three acceptable chord progressions. There are five acceptable words: baby, love, tears, yat yat. Just because I don’t deal in those terms doesn’t mean I’m weird. So tell these people: I ain’t weird; I’m rational. I’m a person who can choose to write stuff like that, or choose to write stuff that includes all the notes on the piano played at once, followed by a cement truck driving over the piano, followed by a small atomic explosion. Nothing weird about that as long as you do it in a meaningful way.
Frank Zappa
You can deny all you want that there is etiquette, and a lot of people do in everyday life. But if you behave in a way that offends the people you're trying to deal with, they will stop dealing with you...There are plenty of people who say, 'We don't care about etiquette, but we can't stand the way so-and-so behaves, and we don't want him around!' Etiquette doesn't have the great sanctions that the law has. But the main sanction we do have is in not dealing with these people and isolating them because their behavior is unbearable.
Judith Miss Manners Martin
It may seem paradoxical to say that there are similarities between a poetical and a commercial mind, but it is a fact that both a poet and a businessman are constantly dealing with problems that are directly related to people and for which sensitivity is of prime importance. The business-like mind is sometimes described as being cold, sober, calculating, hard; but perhaps these are simply qualities that are necessary for dealing with people if one wants to achieve anything. One is always concerned with the mysterious, incalculable, dark, hidden aspects for which there is no easy formula, but which form essentially the same human element as that which inspires the poet.
M. C. Escher
Dark things have always existed but they used to be in a proper balance with good when life was slower. People lived in towns and small farms where they knew everybody and people didn't move around so much so things were a little more peaceful. There were things that they were afraid of for sure, but now it's accelerated to where the anxiety level of the people is in the stratosphere. TV sped things up and caused people to hear way more bad news. Mass media overloaded people with more than they could handle, and drugs also had a lot to do with it. With drugs people can get so rich and whacked out and they've opened up a whole weird world. These things have created a modern kind of fear in America.
David Lynch
Ballard, J. G.
Ballmer, Steve
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