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No enemy bomber can reach the Ruhr. If one reaches the Ruhr, my name is not Goering. You may call me Meyer.
--
Addressing the Luftwaffe (September 1939) as quoted in August 1939: The Last Days of Peace (1979) by Nicholas Fleming, p. 171; "Meyer" (or "Meier") is a common name in Germany. This statement would come back to haunt him as Allied bombers devastated Germany; many ordinary Germans, especially in Berlin, took to calling him "Meier". It is said that he once himself introduced himself as "Meier" when taking refuge in an air-raid shelter in Berlin.

 

Hermann Goring

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I don’t see any moral difference between a suicide bomber and somebody in a F-16 fighter jet who fires a missile into an apartment complex and then kills 10 or 15 little girls and boys. I don’t see much difference there. In fact, I think the pilot is a greater offender, you know, he’s getting medals, while the suicide bomber is sacrificing his life for what he believes in. But I don’t agree with either approach. I’m absolutely opposed to any sort of terrorism. (…) But if you call Hezbollah a terrorist organization, then you must call Israel a terrorist organization.

 

David Duke

 

Then I started to think in Lipp's about when I had first been able to write a story about losing everything. It was up in Cortina d'Ampezzo when I had come back to join Hadley there after the spring skiing which I had to interrupt to go on assignment to Rhineland and the Ruhr. It was a very simple story called "Out of Season" and I had omitted the real end of it which was that the old man hanged himself. This was omitted on my new theory that you could omit anything if you knew that you omitted and the omitted part would strengthen the story and make people feel something more than they understood.

 

Ernest Hemingway

 

One of the remarkable things about Russ Meyer's films is that they continue to live and play, long after the other work of the soft-core era has been forgotten. That is partly because of their craftsmanship, partly because of Meyer's leading ladies, and partly because of a spirit of paramilitary committment that can be sensed as the cast and crew struggle through rugged terrain to enact their rural melodramas. But the central reason, I believe, is that Meyer is an auteur whose every frame reflects his own obsessions. Like all serious artists, he doesn't allow any space between his work and his dream.

 

Roger Ebert

 

... [Y]our observer's camera is clicking steadily. It's beautiful up above the sunlit clouds. The smooth drone of your twin motors makes you happy. You feel like singing and then you do. Then out of the corner of your eye, you see four black dots, growing larger momentarily. It's an enemy patrol of German Messerschmitts. Your gunner has seen them too. You hear the rattle of the machine gun as you put your bomber in a fast climbing turn, but the Messerschmitt fighters climb faster. They form under your tail, two on each side. One by one, they attack. A yellow light flashes in front of you. The first fighter slips away while the next comes on at you. Again that smashing yellow flame. Your observer falls over unconscious. Before you can think, the next Messerschmitt is upon you. A terrific jolt. Your port engine belches smoke. It's been hit.... You force-land on the first Allied airfield. That night, seated next to a hospital bed where your observer nurses a scalp wound, you hear an enemy communique. A British bomber was shot down over the lines today. Well, you puff a cigarette and grin.

 

Larry LeSueur

 

I think it well ... for the man in the street to realise that there is no power on earth that can protect him from being bombed. Whatever people may tell him, the bomber will always get through. The only defence is offence, which means that you will have to kill women and children more quickly than the enemy if you want to save yourselves.

 

Stanley Baldwin