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Whenever I came to him (Fritz Sauter) with a pure physics idea, he would invariably say, with slight sarcasm: "But Mr. Kroemer, you ought to be able to formulate this mathematically! " If I came to him with a math formulation, I would get, in a similar tone: "But Mr. Kroemer, that is just math, what is the physics?" After a few encounters of this kind, you got the idea: You had to be able to go back and forth with ease. Yet, in the last analysis, concepts took priority over formalism, the latter was simply an (indispensable) means to an end.
--
in his Autobiography, Herbert Kroemer, The Nobel Prize in Physics 2000

 

Herbert Kroemer

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"Purity" of and in art — any art, including music and dance — is an illusory notion, of course. It may be remotely conceivable or imaginable, but it can't be realized because it can't be recognized any more than a "pure" human being or a "pure" (or, for that matter, gratuitous) act can be. All the same, for Western art in its Modernist phase "purity" has been a useful idea and ideal, with a kind of logic to it that has worked, and still works, to generate aesthetic value and maintain aesthetic standards as nothing else in our specializing culture has over the last hundred-odd years.

 

Clement Greenberg

 

All reading, in truth, is reading in a content area. To read the phrase "the law of diminishing returns" or "the law of supply and demand" requires that you know how the word "law" is used in economics, for it does not mean what it does in the phrase "the law of inertia" (physics) or "Grimm's law" (linguistics) or "the law of the land" (political science) or "the law of survival of the fittest" (biology). To the question, "What does 'law' mean?" the answer must always be, "In what context?"

 

Neil Postman

 

"I think that I say those things that make people so angry, not because I really mean them, but because I simply thought of a clever way to say them. It's a kind of art, to think of the perfect way to say an idea, and when you think of it then you have to say it, because words don't exist until you say them."
"A pretty feeble kind of art, Nyef, and I say you should give it up before it gets you killed."

 

Orson Scott Card

 

Paradine poured himself a stiff shot of whiskey. "That's pretty awful. You're not limiting to math."
"Right! I'm not limiting it at all. How can I? I'm not conditioned to x logic."
"There's the answer," Jane said, with a sigh of relief. "Who is? It'd take such a person to make the sort of toys you apparently think these are."
Holloway nodded, his eyes, behind the thick lenses, blinking. "Such people may exist."
"Where?"
"They might prefer to keep hidden."
"Supermen?"
"I wish I knew. You see, Paradine, we've got yardstick trouble again. By our standards these people might seem super-doopers in certain respects. In others they might seem moronic. It's not a quantitative difference; it's qualitative. They think different. And I'm sure we can do things they can't."
"Maybe they wouldn't want to," Jane said.

 

Lewis Padgett

 

In the Kaliyuga, man, being totally dependent on food for life, cannot altogether shake off the idea that he is the body. In this state of mind it is not proper for him to say: "I am He". When a man does all sorts of worldly things, he should not say, "I am Brahman". Those who cannot give up attachment to worldly things, and who find no means to shake off the feeling of "I", should rather cherish the idea, "I am God's servant; I am His devotee."

 

Ramakrishna