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As far as my own experience is concerned, I sometimes begin a drawing with no preconceived problem to solve, with only the desire to use pencil on paper, and make lines, tones, and shapes with no conscious aim; bur as my mind takes in what is so produced, a point arrives where some idea becomes conscious and crystallizes, and then a control and ordering begin to take place.
--
The sculptor speaks (1937), as quoted in Letters of the great artists – from Blake to Pollock -, Richard Friedenthal, Thames and Hudson, London, 1963, p. 255 (translation Daphne Woodward

 

Henry Moore

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I have a sense that something amazing is at work ... I think our planet is actually moving into a time of profound harmony and fecundity and peace but whether that's going to take 600 years or 6 days I don't know. I mean, I think that as humans begin to take seriously... the planetary dimension of conscious self-awareness, then we will become homonized versions of natural selection — so that we will begin to make decision with the large scale dynamic of the planet in mind. So I see that we're actually entering into a transformation of the human species out of the modern period into this new era... It may take centuries... but like the past and it's catastrophes I think that's... what's taking place in the midst of so many hardships.

 

Brian Swimme

 

At a certain age, you have to make yourself useful for others. When you have lived and life has given you an experience, whether good or bad, the moment arrives when you should pass on what you know. Rather than turn into a dumb old person, you should go further every time. Aging does not exist, neither does mental decline. The memory can have less capacity to find a word or maybe you can feel less sexual desire, less virulence, but there is no reason for desire to have disappeared. If, during your life you have worked the emotions, when you mature you begin to know sublime feelings, which you did not have when you were young because nature did not let you. It takes forty years to find yourself. The true opening of the consciousness cannot be had before this age. From there, the journey begins.

 

Alejandro Jodorowsky

 

Wherever there is a conscious mind, there is a point of view. A conscious mind is an observer, who takes in the information that is available at a particular (roughly) continuous sequence of times and places in the universe. A mind is thus a locus of subjectivity, a thing it is like something to be (Farrell, 1950, Nagel, 1974). What it is like to be that thing is partly determined by what is available to be observed or experienced along the trajectory through space-time of that moving point of view, which for most practical purposes is just that: a point. For instance, the startling dissociation of the sound and appearance of distant fireworks is explained by the different transmission speeds of sound and light, arriving at the observer (at that point) at different times, even though they left the source simultaneously.

 

Daniel C. Dennett

 

Under the conditions of modern life we have more control over our thoughts, and in connection with this there is a special method by which we may work on the development of our consciousness using that instrument which is most obedient to our will; that is, our mind, or the intellectual centre. In order to understand more clearly what I am going to say, you must try to remember that we have no control over our consciousness. When I said that we can become more conscious, or that a man can be made conscious for a moment simply by asking him if he is conscious or not, I used the words "conscious" or "consciousness" in a relative sense. There are so many degrees of consciousness and every higher degree means "consciousness" in relation to a lower degree. But, if we have no control over consciousness itself, we have a certain control over our thinking about consciousness, and we can construct our thinking in such a way as to bring consciousness. What I mean is that by giving to our thoughts the direction which they would have in a moment of consciousness, we can, in this way, induce consciousness.

 

P. D. Ouspensky

 

[A] scene that has often come into my mind, both sleeping and waking — I am standing in the wings of a theatre waiting for my cue to go onstage. As I stand there I can hear the play proceeding, and suddenly it dawns on me that the lines I have learnt are not in this play at all, but belong to quite a different one. Panic seizes me; I wonder frenziedly what should I do. Then I get my cue. Stumbling, falling over the unfamiliar scenery, I make my way onto the stage, and then look for guidance to the prompter, whose head I can just see rising out of the floor-boards. Alas he only signals helplessly to me and I realise of course that his script is different from mine. I begin to speak my lines, but they are incomprehensible to the other actors and abhorrent to the audience, who begin to hiss and shout: “Get off the stage!”, “Let the play go on!”, “You’re interrupting!”. I am paralysed and can think of nothing to do but to go on standing there and speaking my lines that don’t fit. The only lines I know.

 

Malcolm Muggeridge