The flattering, if arbitrary, label, First Lady of the Theatre, takes its toll. The demands are great, not only in energy but eventually in dramatic focus. It is difficult, if not impossible, for a star to occupy an inch of space without bursting seams, cramping everyone else’s style and unbalancing a play. No matter how self-effacing a famous player may be, he makes an entrance as a casual neighbor and the audience interest shifts to the house next door.
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Ch. 4Helen Hayes
If someone gave me a million dollars to run a music label, I would focus on creating a specific artistic point of view, and creating some channel to build a fanbase. Warp Records was a great example of a label that had a particular style, and many people would buy records just because the artists were associated with the label.
Andrew Sega
The press, television, and movies make heroes of vandals by calling them whiz kids. [...] There is obviously a cultural gap. The act of breaking into a computer system has to have the same social stigma as breaking into a neighbor's house. It should not matter that the neighbor's door is unlocked.
Kenneth Thompson
You look at Zidane and think 'I've never seen a player quite like that'. Diego Maradona was a great player. Johan Cruyff was a great player. They were different - but with similarities. What sets Zidane apart is the way he manipulates a football, buying himself space that isn't there. Add his vision and it makes him very special.
Zinedine Zidane
What is it that is never changed even though everything is changed? It is love. And only that which never becomes something else is love, that which gives away everything and for that reason demands nothing, that which demands nothing and therefore has nothing to lose, that which blesses and blesses when it is cursed, that which loves its neighbor but whose enemy is also its neighbor, that which leaves revenge to the Lord because it takes comfort in the thought that he is even more merciful. p. 57
Soren Aabye Kierkegaard
The start of a film is like a gateway, a formal entrance-point. The first three minutes of a film make great demands on an audience's patience and credulity. A great deal has to be learnt very rapidly about place and attitude, character and intent and ambition.
Peter Greenaway
Hayes, Helen
Hayes, J. Milton
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