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The day following the publication of "Boule de Suif," his reputation began to grow rapidly. ... From this time on, Maupassant, at the solicitation of the entire press, set to work and wrote story after story. His talent, free from all influences, his individuality, are not disputed for a moment. With a quick step, steady and alert, he advanced to fame, a fame of which he himself was not aware, but which was so universal, that no contemporary author during his life ever experienced the same. ... He was now rich and famous . . . He is esteemed all the more as they believe him to be rich and happy. But they do not know that this young fellow with the sunburnt face, thick neck and salient muscles whom they invariably compare to a young bull at liberty, and whose love affairs they whisper, is ill, very ill. At the very moment that success came to him, the malady that never afterwards left him came also, and, seated motionless at his side, gazed at him with its threatening countenance. ... The famous young man trembled in secret and was haunted by all kinds of terrors.
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Pol Neveux in "Guy De Maupassant : A Study" in Original Short Stories

 

Guy de Maupassant

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A famous writer who wants to continue writing has to be constantly defending himself against fame. I don't really like to say this because it never sounds sincere, but I would really have liked for my books to have been published after my death, so I wouldn't have to go through all this business of fame and being a great writer. In my case, the only advantage to fame is that I have been able to give it a political use. Otherwise, it is quite uncomfortable. The problem is that you're famous for twenty-four hours a day, and you can't say, "Okay, I won't be famous until tomorrow," or press a button and say, "I won't be famous here or now."

 

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I did enjoy it," he says. "But it was very, very weird. You can blab on about seeing the other side of fame, but it doesn't mean shit until it happens to you. It wasn't so much the going on TV, or going to award ceremonies, or having a camera focused on your face. It was being famous in the supermarket, being famous in a restaurant. Fame is not just about being able to get out of a limo in Leicester Square, it's about trying to get into your house when there are eight photographers outside. When you think about being famous, you don't think about all that stuff. You think about the glamour. I wanted to turn the tap off when I'd done my job. But you can't.

 

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Sir, money, money, the most charming of all things; money, which will say more in one moment than the most elegant lover can in years. Perhaps you will say a man is not young; I answer he is rich. He is not genteel, handsome, witty, brave, good-humoured, but he is rich, rich, rich, rich, rich — that one word contradicts everything you can say against him.

 

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