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His moral deficiencies as an artist were quite extraordinary. When he found the natural superiority of his genius in conflict with the ignorance and frivolity of the public – and the musical ignorance and frivolity of the Venetians and Neapolitans can hardly be overstated – he surrendered without a struggle. Although he was so able a man that it was easier and pleasanter to him to do his work intelligently than to conventionalize it and write down to the popular taste, he never persevered in any innovation that was not well received.
--
George Bernard Shaw in The Illustrated London News, March 5, 1892.

 

Gioachino Rossini

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I haven't found it difficult because I find this very enjoyable. It's really challenging. And I'm really proud of the record because it's a really good record. There's nothing harder than to write a pop record with meaning. I think it's much easier to be alternative. It's much easier to be different and take a different path outside of a commercial context. To try and write a pop song that is not cliché, to try and write a pop song that has meaning and fits in under three minutes and five seconds and has a hook that people want to listen to is the most difficult thing in the world to do. So in lieu of that you have to write what you know and what you like, what you're feeling. That's all I can basically do. I don't begrudge the other people that don't write their songs. And I don't judge them. I'd like to see more people writing their own songs, because that's just personally what I like. Just for me, as an artist, so many people only care about being popular right now. Whatever happened to trying to write a song that means something? When I was growing up, artists meant something. They had opinions, they looked different than the person working at the store on your street. They opened your eyes and taught you something about life. And I would like to aspire to be that kind of artist.

 

Colleen Fitzpatrick

 

It is almost as difficult to make a man unlearn his errors as his knowledge. Mal-information is more hopeless than non-information; for error is always more busy than ignorance. Ignorance is a blank sheet, on which we may write; but error is a scribbled one, on which we must first erase. Ignorance is contented to stand still with her back to the truth; but error is more presumptuous, and proceeds in the same direction. Ignorance has no light, but error follows a false one. The consequence is, that error, when she retraces her footsteps, has further to go, before she can arrive at the truth, than ignorance.

 

Charles Caleb Colton

 

Montaigne speak of an “Abecedarian” ignorance that precedes knowledge, and a doctoral ignorance that comes after it. The first is the ignorance of those who, not knowing their A-B-C’s, cannot read at all. The second is the ignorance of those who have misread many books.

 

Michel de Montaigne

 

[I]n my early manhood I learned to respect ignorance, to regard ignorance as an object of legitimate interest and reflection; and as I say, a sort of unconsidered preparation for this attitude of mind appears to have run back almost to my infancy. Moreover, when I got around to read Plato, I found that he reinforced and copper-fastened the notion which experience had already rather forcibly suggested, that direct attempts to overcome and enlighten ignorance are a doubtful venture; the notion that it is impossible, as one of my friends puts it, to tell anybody anything which in a very real sense he does not already know. It seemed extraordinary that this should be so. Nevertheless, there it was; and apparently no one could give,—certainly no one, not even Plato, did give,— any more intelligent and satisfying reason why it should be so than I could give; and I could give none at all.?

 

Plato

 

We are born in ignorance, we die in ignorance, but maybe sometimes we learn something important and pass it along to others before we die. Or we write it down in a little book.

 

Greg Bear