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Georges Bernanos

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To you a pious young girl who goes to mass and communion, seems pretty silly and childish; you take us for innocents... Well, let me tell you, sometimes we know more about evil than people who have only learned to offend God.
--
Chantal to Dr. La Pérouse, p.187

 
Georges Bernanos

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If I were a young man
And young was my Lily,
A smart girl, a bold young man,
Both of us silly.
And though from time before I knew
She'd stab me with pain,
Though well I knew she'd not be true,
I'd love her again.

 
Robert Graves
 

Both these men are in love with Natasha, Count Rostov's younger daughter, and in her Tolstoy has created the most delightful girl in fiction. Nothing is so difficult as to portray a young girl who is at once charming and interesting. Generally the young girls of fiction are colorless (Amelia in Vanity Fair), priggish (Fanny in Mansfield Park), too clever by half (Constantia Durham in The Egoist), or little geese (Dora in David Copperfield), silly flirts or innocent beyound belief. It is understandable that they should be an awkward subject for the novelist to deal with, for at that tender age the personality is undeveloped. Similarly a painter can only make a face interesting when the vicissitudes of life, thought, love and suffering have given it character. In the portrait of a girl the best he can do is to represent the charm and beauty of youth. But Natasha is entirely natural. She is sweet, sensitive, and sympathetic, willful, childish, womanly already, idealistic, quick-tempered, warm-hearted, headstrong, capricious and in everything enchanting. Tolstoy created many women and they are wonderfully true to life, but never another who wins the affection of the reader as does Natasha.

 
William Somerset Maugham
 

To tell a young peasant girl that she is pretty, that she has sparkling eyes, to beg her to turn around in order to observe her form, does not exhibit Don Juan as someone exceptional but simply as a lewd fellow who looks over a girl as a dealer does a horse.

 
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Lindsay Lohan
 

The judge should not be young; he should have learned to know evil, not from his own soul, but from late and long observation of the nature of evil in others: knowledge should be his guide, not personal experience.

 
Plato
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