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I've been killing characters my entire career, maybe I'm just a bloody minded bastard, I don't know, [but] when my characters are in danger, I want you to be afraid to turn the page (and to do that) you need to show right from the beginning that you're playing for keeps.
--
Audio Interview with Geekson in Episode 54, (4 August 2006)

 

George R. R. Martin

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It's a universal tendency in films to be more about sex and violence than the real world is, but I would pose the opposite question: Why are so many characters that you see on TV so desexualized? A lot of them seem to be completely asexual — especially animated characters — and it implies that those characters are normal. The characters in Aeon Flux are normal people who have normal sex lives and appetites.

 

Peter Chung

 

Unlike most wars, which make rotten fiction in themselves — all plot and no characters, or made-up characters — Vietnam seems to be the perfect mix: the characters make the war, and the war unmakes the characters. The gods, fates, furies had a relatively small hand in it. The mess was man-made, a synthetic, by think tank out of briefing session.

 

Wilfrid Sheed

 

What interested me was how much of a departure this was in that you have three interesting, across the generations, female characters, literally riding alongside the male characters. Also the emotional and psychological depth of the characters was, for me, a lot richer than I've seen in a western. But never once did it sacrifice the thrill of the chase. So it was a journey into the unknown for me.

 

Cate Blanchett

 

Well you know, I don’t think I have never really seen a film of this genre, where the female characters' sex appeal sort of came second. I mean of course they’re sexy characters. When you have a sexy secretary, or a girl swinging around by her ankles in a cat suit, you know that’s innately sexy, but the fact is that these characters are intelligent. They’re ambitious. They’re motivated and calculated to some degree.

 

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If someone asks you where you get your characters... and they're sure to do that... you always say, "He's a combination of a lot of people I have known." That way, if your character is a damn fool, nobody will want to identify with him... To tell the truth, I don't know how a man gets a character for a story, anymore than I know how he falls in love. I don't know if his characters spring full-blown from his head, or if he sees a man walking down the street and recognises him instantly... I doubt any writer knows for sure where his characters come from.

 

Robert E. Howard