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This writer, who is horribly perspicacious and vigorous, demonstrates the certainty of a great European war, and regards it with the peculiar satisfaction excited by such things in a certain order of mind. His phrases about "dire calamity" and so on mean nothing; the whole tenor of his writing proves that he represents, and consciously, one of the forces which go to bring war about; his part in the business is a fluent irresponsibility, which casts scorn on all who reluct at the "inevitable." Persistent prophecy is a familiar way of assuring the event.
--
Summer, § VII, p. 89

 

George Gissing

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I saw the business of writing for what it truly was and is to me. It is your penance for not being lucky. It is an attempt to reach others and to make them love you. It is your instinctive protest, when you find you have no voice at the world's tribunals, and that no one will speak for you. I would give my entire output of words, past, present, and to come, in exchange for easier access to the world, for permission to state "I hurt" or "I hate" or "I want." Or, indeed, "Look at me." And I do not go back on this. For once a thing is known it can never be unknown. It can only be forgotten. And writing is the enemy of forgetfulness, of thoughtlessness. For the writer there is no oblivion. Only endless memory.

 

Anita Brookner

 

In Flight (a quantum fiction novel), essentially our protagonist is a writer who is writing a novel and then begins to see things from his novel occurring in the reality around him, and he questions "am I losing my mind?" or "am I somehow influencing reality around me?"

 

Vanna Bonta

 

A famous writer who wants to continue writing has to be constantly defending himself against fame. I don't really like to say this because it never sounds sincere, but I would really have liked for my books to have been published after my death, so I wouldn't have to go through all this business of fame and being a great writer. In my case, the only advantage to fame is that I have been able to give it a political use. Otherwise, it is quite uncomfortable. The problem is that you're famous for twenty-four hours a day, and you can't say, "Okay, I won't be famous until tomorrow," or press a button and say, "I won't be famous here or now."

 

Gabriel Garcia Marquez

 

There's a detachment that you need as a writer. And as a young man, I probably had more detachment than I have today. So that part of me was just looking at the battlefield, and it was certainly full of horrors. There was a lieutenant with us and a driver and another enlisted man like myself. And I think they were shocked profoundly.'
I just thought — this is a cold and cruel thing to say, but it's the way a writer is — I thought, "Oh, this is good." Not that it was good that all these people are dead. But "Oh, it's so good for writing." There was a sense of, "This can be used."

 

Norman Mailer

 

"Now I am prepared to maintain," said Chaffery, proceeding with his proposition, "that Honesty is essentially an anarchistic and disintegrating force in society, that communities are held together and the progress of civilisation made possible only by vigorous and sometimes even violent Lying; that the Social Contract is nothing more or less than a vast conspiracy of human beings to lie to and humbug themselves and one another for the general Good. Lies are the mortar that bind the savage individual man into the social masonry ... Were I not of a profoundly indolent, restless, adventurous nature, and horribly averse to writing, I would make a great book of this and live honored by every profound duffer in the world."

 

H. G. (Herbert George) Wells