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A writer should write what he has to say and not speak it.

 

Ernest Hemingway

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Let us remember that the central reality must be sought in the writer's work: it is what the writer chose to write, or was compelled to write, that finally matters. And certainly Mishima's carefully premeditated death is part of his work.

 

Yukio Mishima

 

Language the most forcible proceeds from the man who is most sincere. The way to speak with power, or to write words that pierce mankind to the quick, is to speak and write honestly.

 

Elias Lyman Magoo

 

Many a young person tells me he wants to be a writer. I always encourage such people, but I also explain that there’s a big difference between “being a writer” and writing. In most cases these individuals are dreaming of wealth and fame, not the long hours alone at the typewriter. “You’ve got to want to write,” I say to them, “not want to be a writer.”
The reality is that writing is a lonely, private and poor-paying affair. For every writer kissed by fortune, there are thousands more whose longing is never requited. Even those who succeed often know long periods of neglect and poverty. I did.

 

Alex Haley

 

Camus dealt with the question best. He said that he liked individuals who take sides more than literatures that do. 'One either serves the whole of man or does not serve him at all. And if man needs bread and justice, and if what has to be done must be done to serve this need, he also needs pure beauty which is the bread of his heart.' So Camus called for 'Courage in and talent in one's work.' And Márquez redefined tender fiction thus: The best way a writer can serve a revolution is to write as well as he can.
I believe that these two statements might be the credo for all of us who write. They do not resolve the conflicts that have come, and will continue to come, to contemporary writers. But they state plainly an honest possibility of doing so, they turn the face of the writer squarely to her and his existence, the reason to be, as a writer, and the reason to be, as a responsible human, acting, like any other, within a social context.

 

Nadine Gordimer

 

I’m surprised that multiple personalities are so much less common in reality than in fiction: what a little disorder it would take, a distraction, a sleep, for one of our minor characters to imagine he was the star, to speak out for everyone else. And that’s what it would be, a change of billing, not of authorship. For you do not write your play—you are just the character in it called The Playwright. The real writer, you never meet.

 

James Richardson