All the critics who could not make their reputations by discovering you are hoping to make them by predicting hopefully your approaching impotence, failure and general drying up of natural juices. Not a one will wish you luck or hope that you will keep on writing unless you have political affiliations in which case these will rally around and speak of you and Homer, Balzac, Zola and Link Steffens.
Ernest Hemingway
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You are responsible for all of your successes, and the lack thereof. And that is the essential point that failure, your ever-faithful friend, wants to make: that your failure could not exist without you—without your stupidity, without your lies, without your mistakes, your uselessness, your lack of faith, your ineptitude, your unjustifiable confidence in your alleged abilities, you stupid loser—failure is your only friend. Failure is your only lover. Failure is your only hope.
John S. Hall
But how did you come to have this skill about Homer only, and not about Hesiod or the other poets? Does not Homer speak of the same themes which all other poets handle? Is not war his great argument? and does he not speak of human society and of intercourse of men, good and bad, skilled and unskilled, and of the gods conversing with one another and with mankind, and about what happens in heaven and in the world below, and the generations of gods and heroes? Are not these the themes of which Homer sings?
Homer
Religion is a link between God and man and man and man. Political ideology is a link between man and man. For this reason the great religions of the world like Hinduism, Buddhism, Judaism, Christianity and Islam, the last of all religions, have outlived and outlasted political ideologies. If an unlearned adventurer in his quest for political power and perpetuation brings religion down from its celestial plane to a mundane level by converting it into a narrow political ideology, the adventurer endangers the link between God and man and man and man.
Zulfikar Ali Bhutto
Zola, who has so faithfully described the impulse to commit murder, did not himself commit a murder, because there were so many other characters in him. The actual murderer is in the grasp of his own disposition: the author describing the murder is swayed by a whole kingdom of impulses. Zola would know the desire for murder much better than the actual murderer would know it, he would recognise it in himself, if it really came to the surface in him, and he would be prepared for it. In such ways the criminal instincts in great men are intellectualised and turned to artistic purposes as in the case of Zola, or to philosophic purposes as with Kant, but not to actual crime.
Otto Weininger
You must either make a tool of the creature, or a man of him. You cannot make both. Men were not intended to work with the accuracy of tools, to be precise and perfect in all their actions. If you will have that precision out of them, and make their fingers measure degrees like cog-wheels, and their arms strike curves like compasses, you must unhumanize them. All the energy of their spirits must be given to make cogs and compasses of themselves….On the other hand, if you will make a man of the working creature, you cannot make him a tool. Let him but begin to imagine, to think, to try to do anything worth doing; and the engine-turned precision is lost at once. Out come all his roughness, all his dulness, all his incapability; shame upon shame, failure upon failure, pause after pause: but out comes the whole majesty of him also; and we know the height of it only when we see the clouds settling upon him.
John Ruskin
Hemingway, Ernest
Hempel, Amy
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