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Edward Grey

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Poetry is the greatest literature, and pleasure in poetry is the greatest of literary pleasures. It is also the least easy to attain and there are some people who never do attain it.

 
Edward Grey

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The greatest poets never write poetry. The Homers and Shakespeares are not the greatest — they are only the greatest that we can know. And so with Handel among musicians. For the highest poetry, whether in music or literature, is ineffable — it must be felt from one person to another, it cannot be articulated.

 
Samuel (novelist Butler
 

I want a poetry that can learn as much from popular culture as from serious culture. A poetry that seeks the pleasure and emotionality of the popular arts without losing the precision, concentration, and depth that characterize high art. I want a literature that addresses a diverse audience distinguished for its intelligence, curiosity, and imagination rather than its professional credentials. I want a poetry that risks speaking to the fullness of our humanity, to our emotions as well as to our intellect, to our senses as well as our imagination and intuition. Finally I hope for a more sensual and physical art — closer to music, film, and painting than to philosophy or literary theory. Contemporary American literary culture has privileged the mind over the body. The soul has become embarrassed by the senses. Responding to poetry has become an exercise mainly in interpretation and analysis. Although poetry contains some of the most complex and sophisticated perceptions ever written down, it remains an essentially physical art tied to our senses of sound and sight. Yet, contemporary literary criticism consistently ignores the sheer sensuality of poetry and devotes its considerable energy to abstracting it into pure intellectualization. Intelligence is an irreplaceable element of poetry, but it needs to be vividly embodied in the physicality of language. We must — as artists, critics, and teachers — reclaim the essential sensuality of poetry. The art does not belong to apes or angels, but to us. We deserve art that speaks to us as complete human beings. Why settle for anything less?

 
Dana Gioia
 

Anna Andreevna Akhmatova used poetry to give voice to the struggles and deepest yearnings of the Russian people, for whom she remains the greatest of literary heroines. She has lately come to symbolize for the world even beyond Russia the power of art to survive and transcend the terrors of our century.

 
Anna Akhmatova
 

Not the poem which we have read, but that to which we return, with the greatest pleasure, possesses the genuine power, and claims the name of essential poetry.

 
Samuel Taylor Coleridge
 

...when Poetry thus keeps its place as the handmaiden of piety, it shall attain not a poor perishable wreath, but a crown that fadeth not away.

 
John Wesley
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