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When my books first hit the market, my first thought was: "Good. Now these gullible youth will see the true light, the primeval way - and the world will cower in awe of my intellectual abilities." My second thought was: "Oh, crap...if this book rockets to the top of the New York Times bestseller list, untold trees will be mercilessly slaughtered for printing purposes." As it turns out, I had little to worry about. Nobody bought my books. Apparantely the world just isn't ready for my genius & guile, my brilliant banter.

 

Derrick Jensen

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The current publishing scene is extremely good for the big, popular books. They sell them brilliantly, market them and all that. It is not good for the little books. And really valuable books have been allowed to go out of print. In the old days, the publishers knew that these difficult books, the books that appeal only to a minority, were very productive in the long run. Because they're probably the books that will be read in the next generation. It's heart-breaking how often I have to say when I'm giving talks, "This book is out of print. This book is out of print." It's a roll call of dead books.

 

Doris Lessing

 

Your book is going to be such a bestseller because it's a colourful, astonishing story. It's absolutely unbelievable. The publishers don't have to worry about whether this thing is going to sell. The only question they're going to have to wonder about is whether they've got enough paper in the forest to print the f**king books. That's all they have to worry about. I'll tell you this, if there ain't a good book in this, there's not a good book in Canadian history. So there you go. I don't know about other books, but boy this one's going to sell. I mean the others, you've done okay, but I'll tell you, you're going to be able to retire for sure. If this thing holds, it's going to be quite remarkable. I'd be very surprised, Peter, if by the time it's all over if there weren't two books in this thing for you. Let's let the books go out first, and then do the television.

 

Brian Mulroney

 

When I started writing my first novel, ...And Call Me Conrad, they always say: "Write about what you know" and I said "Well, if I get a nice sort of combination SF and Fantasy with these resonances from Greek Mythology it might be pretty good. It would also give me a chance to start filling in my background on all those things I don't know much about but should if I want to be an SF writer."
So I sat down and made a list of everything I felt I should know more about. Astrophysics, oceanography, marine biology, genetics... Then when I'd finished the list I read one book in each of these areas. When I'd finished I went back and read a second book until I'd read ten books in each area. I thought that it wouldn't turn me into a terrific, fantastic expert but I'd at least have enough material there to know if I was saying something wrong. And I'd also know where to turn to get the information I want to make it right.
While I was doing this, to keep the words and cheques flowing I wrote books involving mythology. And once I started picking up things involving astrophysics I'd write stories that played with those sorts of things. So that's why I started out with mythology.

 

Roger Zelazny

 

In a cupboard filled with books he came across one with brightly colored pictures — it was a child's illustrated alphabet — A is for Archer Who shoots with a bow. B is for Boy, His first name is Joe. The pictures interested him greatly.
There were many apes with faces similar to his own, and further over in the book he found, under "M," some little monkeys such as he saw daily flitting through the trees of his primeval forest. But nowhere was pictured any of his own people; in all the book was none that resembled Kerchak, or Tublat, or Kala.

 

Edgar Rice Burroughs