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Delia Ephron

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And a quick glance in the mirror turns out to be a mistake. Oh God, is that my face?
--
Hanging Up, Delia Ephron

 
Delia Ephron

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“I glance reflections of my face everyplace I go, in my mirror and in shop windows, like the lead in my own show. Do I dare look closely? See each wrinkle, scar and flaw?”

 
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It is rather difficult to describe Heidegger’s face because he could never look straight into one’s eyes for long. His natural expression revealed a reflective brow, an inscrutable countenance, and downcast eyes, which now and again would cast a quick glance to assess the situation. Forced, in conversation, to look one straight in the face, he would appear reserved and insecure, for he lacked the gift of candid communication with other people. Hence his natural expression was one of cautious, peasant-sly mistrust

 
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Rachel was looking into the mirror at an angle of 45°, and so had a view of the face turned toward the room and the face on the other side, reflected in the mirror; here were time and reverse-time, co-existing, cancelling one another exactly out. Were there many such reference points, scattered throughout the world, perhaps only at nodes like this room which housed a transient population of the imperfect, the dissatisfied; did real time plus virtual or mirror-time equal zero and thus serve some half-understood moral purpose? Or was it only the mirror world that counted; only a promise of a kind that the inward bow of a nose-bridge or a promontory of extra cartilage at the chin meant a reversal of ill fortune such that the world of the altered would thenceforth run on mirror-time; work and love by mirror-light and be only, till death stopped the heart's ticking (metronome's music) quietly as light ceases to vibrate, an imp's dance under the century's own chandeliers....

 
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