Sunday, December 22, 2024 Text is available under the CC BY-SA 3.0 licence.

Daniel Tosh

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Don't you love it when people in school are like, "I'm a bad test taker"? You mean, you're stupid. Oh, you struggle with that part where we find out what you know? Oh. No, no, I can totally relate. See, because I'm a brilliant painter, minus my God-awful brushstrokes. Oh, how the masterpiece is crystal up here[points to head], but once paint hits canvas, I develop Parkinson's. I assume you do your best work in the morning. Probably gets abstract by noon.

 
Daniel Tosh

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Old paint on a canvas, as it ages, sometimes becomes transparent. When that happens it is possible, in some pictures, to see the original lines: a tree will show through a woman's dress, a child makes way for a dog, a large boat is no longer on an open sea. That is called pentimento because the painter "repented," changed his mind. Perhaps it would be as well to say that the old conception, replaced by a later choice, is a way of seeing and then seeing again. That is all I mean about the people in this book. The paint has aged and I wanted to see what was there for me once, what is there for me now.

 
Lillian Hellman
 

"I do not literally paint that table, but the emotion it produces upon me."
After a pause full of intense thought on my part, I asked: "But if one hasn't always emotion. What then?"
"Do not paint," he quickly answered. "When I came in her to work this morning I had no emotion, so I took a horseback ride. When I returned I felt like painting, and had all the emotion I wanted.

 
Henri Matisse
 

School children and students who love God should never say: "For my part I like mathematics"; "I like French"; "I like Greek." They should learn to like all these subjects, because all of them develop that faculty of attention which, directed toward God, is the very substance of prayer.

 
Simone Weil
 

Engraved on my memory is the day when I found him at noon staring staring intensely out of a window in our living room with a strange expression on his face. Peering unseeing into the garden, he said "I found a way to make it work." "What work?" I asked. "The Super" he replied. "It is a totally different scheme, and it will change the course of history."

 
Stanislaw Ulam
 

Artists encounter the landscape they propose to paint — they look at it, observe it from this angle and that. They are, as we say, absorbed in it. Or, in the case of abstract painters, the encounter may be with an idea, an inner vision, that in turn may be led off by the brilliant colors on the palette or the inviting rough whiteness of the canvas.

 
Rollo May
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