...I suppose that the image people have of me is one that's quite talkative, because in interviews and that you can sometimes get nervous, and the thing when you meet people... I tend to be quite chatty just because that's just something I do. But in terms of Maps' character, I'm like him in that I'm perfectly happy in my own company. And I'm probably happiest when I'm being quiet.
--
During a December Boys Promotion in 2007Daniel Radcliffe
» Daniel Radcliffe - all quotes »
Why I do things? Because I get great happiness, and happiness is the thing which makes the love flow, which makes me love. I want to be happy. And that is why I consider myself as one of the most happiest men in the world, because I do these things. I give this Knowledge to people free of charge. And people when they get this Knowledge feel great happiness. That makes me happy, too.
Maharaji (Prem Rawat)
So that's my home town, and I come from a perfectly ordinary working-class family; and in fact, I didn't really meet middle-class people until I went to university. It was quite a shock, really. People were saying things like 'Well, I was always going to end up doing English, because I was brought up surrounded by books - brought up in a house full of books'; and I'd think 'Yes, so was I; but they were full of Green Shield stamps'. I suppose we could have swapped them for books, but we had our eye on a twin-tub.
Linda Smith
For me the most important thing was always that you have something in mind that you want to do, that you enjoy doing, because a lot of people have a job, but they're not happy. I think you have to think about what it is you really want to do in life and pursue that, and do it with fun; have a smile on your face, because then you're happy. You're happy and you can be open, you can be nice with people, and you have a different appearance and feeling of life than when you are in a job you hate. So for me that was always the most important thing.
Heidi Klum
"I suppose he had the good luck to be executed, no? I had an hour's chat with him in Buenos Aires. He struck me as a kind of play actor, no? Living up to a certain role. I mean, being a professional Andalusian... But in the case of Lorca, it was very strange because I lived in Andalusia and the Andalusians aren't a bit like that. His were stage Andalusians. Maybe he thought that in Buenos Aires he had to live up to that character, but in Andalusia, people are not like that. In fact, if you are in Andalusia, if you are talking to a man of letters and you speak to him about bullfights, he'll say, 'Oh well, that sort of this pleases people, I suppose, but really the torero works in no danger whatsoever. Because they are bored by these things, because every writer is bored by the local color in his own country. Well, when I met Lorca, he was being a professional Andalusian... Besides, Lorca wanted to astonish us. He said to me that he was very troubled about a very important figure in the contemporary world. A character in whom he could see all the tragedy of American life. And then he went on in this way until I asked him who was this character and it turned out this character was Mickey Mouse. I suppose he was trying to be clever. And I thought, 'That's the kind of thing you say when you are very, very young and you want to astonish somebody.' But after all, he was a grown man, he had no need, he could have talked in a different way. But when he started in about Mickey Mouse being a symbol of America, there was a friend of mine there and he looked at me and I looked at him and we both walked away because we were too old for that kind of game, no? Even at that time."
Jorge Luis Borges
"I suppose he had the good luck to be executed, no? I had an hour's chat with him in Buenos Aires. He struck me as a kind of play actor, no? Living up to a certain role. I mean, being a professional Andalusian... But in the case of Lorca, it was very strange because I lived in Andalusia and the Andalusians aren't a bit like that. His were stage Andalusians. Maybe he thought that in Buenos Aires he had to live up to that character, but in Andalusia, people are not like that. In fact, if you are in Andalusia, if you are talking to a man of letters and you speak to him about bullfights, he'll say, 'Oh well, that sort of this pleases people, I suppose, but really the torero works in no danger whatsoever.' Because they are bored by these things, because every writer is bored by the local color in his own country. Well, when I met Lorca, he was being a professional Andalusian... Besides, Lorca wanted to astonish us. He said to me that he was very troubled about a very important figure in the contemporary world. A character in whom he could see all the tragedy of American life. And then he went on in this way until I asked him who was this character and it turned out this character was Mickey Mouse. I suppose he was trying to be clever. And I thought, 'That's the kind of thing you say when you are very, very young and you want to astonish somebody.' But after all, he was a grown man, he had no need, he could have talked in a different way. But when he started in about Mickey Mouse being a symbol of America, there was a friend of mine there and he looked at me and I looked at him and we both walked away because we were too old for that kind of game, no? Even at that time."
Federico Garcia Lorca
Radcliffe, Daniel
Radiguet, Raymond
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