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Poets serious about making careers in institutions understand that the criteria for success are primarily quantitative. They must publish as much as possible as quickly as possible. The slow maturation of genuine creativity looks like laziness to a committee. Wallace Stevens was forty-three when his first book appeared. Robert Frost was thirty-nine. Today these sluggards would be unemployable.

 

Dana Gioia

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Forty years ago, when Dylan Thomas read, he spent half the program reciting other poets' work. Hardly a self-effacing man, he was nevertheless humble before his art. Today most readings are celebrations less of poetry than of the author's ego. No wonder the audience for such events usually consists entirely of poets, would-be poets, and friends of the author.

 

Dana Gioia

 

Stevens’s poetry makes one understand how valuable it can be for a poet to write a great deal. Not too much of that great deal, ever, is good poetry; but out of quantity can come practice, naturalness, accustomed mastery, adaptations and elaborations and reversals of old ways, new ways, even—so that the poet can put into the poems, at the end of a lifetime, what the end of a lifetime brings him. Stevens has learned to write at will, for pleasure; his methods of writing, his ways of imagining, have made this possible for him as it is impossible for many living poets—Eliot, for instance. Anything can be looked at, felt about, meditated upon, so Stevens can write about anything; he does not demand of his poems the greatest concentration, intensity, dramatic immediacy, the shattering and inexplicable rightness the poet calls inspiration.

 

Randall Jarrell

 

For although it is certainly true that quantitative measurements are of great importance, it is a grave error to suppose that the whole of experimental physics can be brought under this heading. We can start measuring only when we know what to measure: qualitative observation has to precede quantitative measurement, and by making experimental arrangements for quantitative measurements we may even eliminate the possibility of new phenomena appearing.

 

Hendrik Casimir

 

Stevens' way of informing us comes in language and imagery so radically different from previous times that it is difficult to recognize exactly what he means. But throughout his poetry he speaks, like the mystics, primarily of the nature of our relationship with the universe. He continually circles back to the idea that we actively participate in what the world looks like and what it means. Although cast in modern terms, this idea is profoundly spiritual and moral.
Since he gives no evidence of any direct visionary experience, it's not possible to say Stevens is a "mystic" or a "contemplative" poet. But he is a major figure in modern poetry because he synthesizes the concerns of the modern world — the emphasis on the human self as maker of meaning, the emphasis on scientific rationality, the emphasis on creating new forms to replace outmoded beliefs — with the perennial concerns of the human spirit. To find meaning, or the good — or by implication, God — we need to radically adjust our conception of reality. This takes powerful acts of individual imagination, and the possibilities are immense... Contrary to all appearances, to the difficulty of his verse, and to the preoccupied, distracted interpretations of contemporary critics, Wallace Stevens' poetry is a profoundly spiritual force. Anyone interested in the spiritual problems of modern humans must reckon with it.

 

Wallace Stevens

 

Why do I say this? It would be very unreasonable to understand the sad legacy of the last forty years as something alien, which some distant relative bequeathed to us. On the contrary, we have to accept this legacy as a sin we committed against ourselves. If we accept it as such, we will understand that it is up to us all, and up to us alone to do something about it. We cannot blame the previous rulers for everything, not only because it would be untrue, but also because it would blunt the duty that each of us faces today: namely, the obligation to act independently, freely, reasonably and quickly. Let us not be mistaken: the best government in the world, the best parliament and the best president, cannot achieve much on their own. And it would be wrong to expect a general remedy from them alone. Freedom and democracy include participation and therefore responsibility from us all.

 

Vaclav Havel