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It must be fun to be you
And play with love as you do
To treat each new romance
As merely one more dance
Or just another book to glance through
It must be fun to acquire
Whatever heart you desire,
And when you're bored with it
To tear it in two,
It must be fun to be you.
--
"It Must Be Fun To Be You"

 

Cole Porter

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The more one presupposes that his own power will suffice him to realize what he desires the more practical is that desire. When I treat a man contemptuously, I can inspire him with no practical desire to appreciate my grounds of truth. When I treat any one as worthless, I can inspire him with no desire to do right.

 

Immanuel Kant

 

I will not accept boundaries; appearances cannot contain me; I choke! To bleed in this agony, and to live it profoundly, is the second duty.
The mind is patient and adjusts itself, it likes to play; but the heart grows savage and will not condescend to play; it stifles and rushes to tear apart the nets of necessity.

 

Nikos Kazantzakis

 

Never give all the heart, for love
Will hardly seem worth thinking of
To passionate women if it seem
Certain, and they never dream
That it fades out from kiss to kiss;
For everything that's lovely is
but a brief, dreamy, kind of delight.
O never give the heart outright,
For they, for all smooth lips can say,
Have given their hearts up to the play.
And who could play it well enough
If deaf and dumb and blind with love?
He that made this knows all the cost,
For he gave all his heart and lost.

 

William Butler Yeats

 

And what fastens attention, in the intercourse of life, like any passage betraying affection between two parties? Perhaps we never saw them before, and never shall meet them again. But we see them exchange a glance, or betray a deep emotion, and we are no longer strangers. We understand them, and take the warmest interest in the development of the romance. All mankind love a lover.

 

Ralph Waldo Emerson

 

Beginning a book is unpleasant. I’m entirely uncertain about the character and the predicament, and a character in his predicament is what I have to begin with. Worse than not knowing your subject is not knowing how to treat it, because that’s finally everything. I type out beginnings and they’re awful, more of an unconscious parody of my previous book than the breakaway from it that I want. I need something driving down the center of a book, a magnet to draw everything to it—that’s what I look for during the first months of writing something new. I often have to write a hundred pages or more before there’s a paragraph that’s alive. Okay, I say to myself, that’s your beginning, start there; that’s the first paragraph of the book. I’ll go over the first six months of work and underline in red a paragraph, a sentence, sometimes no more than a phrase, that has some life in it, and then I’ll type all these out on one page. Usually it doesn’t come to more than one page, but if I’m lucky, that’s the start of page one. I look for the liveliness to set the tone. After the awful beginning come the months of freewheeling play, and after the play come the crises, turning against your material and hating the book.

 

Philip Roth